This editorial originally appeared in the Winter 2023 Newsletter. I thought I would repost it here as well so it is easier to find. Artificial Intelligence (Ai) has risen to a level where it has become fairly alarming for many creatives—especially photographers and illustrators. At the moment, the leading Ai websites like DALL-E 2 and...
Category Archives: Editorial
The Winter 2023 issue of the Michael Clark Photography Newsletter is now available for download. If you’d like to sign up for the Newsletter just drop me an email and I’ll add you to the mailing list. This issue of the Newsletter includes an editorial entitled Artemis, a review of the Elinchrom FIVE 500 Ws...
2022 has been the busiest year yet since the pandemic began in 2020. With that said there were still some blank spaces on the assignment calendar but this past fall was very close to normal in terms of travel and assignments. Regardless of some holes on the calendar this past year, I was still able...
The Fall 2022 issue of the Michael Clark Photography Newsletter is now available for download. If you’d like to sign up for the Newsletter just drop me an email and I’ll add you to the mailing list. This issue of the Newsletter includes an editorial entitled To the Moon and Beyond, a review of the...
I am very excited to announce that the Astronaut on Planet White Sands images shown above have been chosen for inclusion in the 2022 Communication Arts Photography Annual, which will be published in the July/August 2022 issue of Communication Arts (CA). The CA Photography Annual is one of the most exclusive photography competitions in the world. The...
The Spring 2022 issue of the Michael Clark Photography Newsletter is now available for download. If you’d like to sign up for the Newsletter just drop me an email and I’ll add you to the mailing list. This issue of the Newsletter includes an editorial entitled Three Years In, a review of the Aquatech EDGE...
Early on in my career as an adventure photographer, I had a fondness for motion blur imagery. Using slow shutter speeds to show the motion was just part of telling the story and conveying the speed of the athletes I was photographing. I remember my first big commercial assignment with Adobe for the launch of...
