Digital Masters: Adventure Photography

Perhaps you have been wondering what happened to my Winter 2009 Newsletter or the lack of blog posts the last few months. Well, I can finally announce to the world that I have been working on a book on adventure sports photography these last five months. The title of the book is Digital Masters: Adventure Photography and it is part of a series of photography books being published by Lark Books, a division of Sterling Publishing Co., Inc.

It is quite an honor to be chosen to write this book as a few of the other authors include Bob Krist, George DeWolfe and Nancy Brown, who are heads of state in their respective genres of photography.

This book is a how-to type book which basically details the ins and outs of documenting adventure sports. As far as I can tell there are no other books out there that even come close to covering as much ground as this book does. In fact there are few if any books that specifically talk about shooting adventure sports at all.

I have basically downloaded everything I have learned about shooting adventure sports over the last 14 years as a full-time pro into this book. For those of you that are wondering, there is very little digital processing covered in the book. Because my Lightroom workflow e-book has become so popular and is much more detailed we decided to concentrate on the the photography and not get caught up in the digital processing. It covers in detail:

– Photo Equipment
– Outdoor Gear
– Adventure Photography Fundamentals: Light, Autofocus, Histograms, Exposure, Composition, Remote Camera work, etc.
– Artificial Lighting
– How I approach and shoot the major adventure sports – talking about each sport individually.
– Portraiture and lifestyle as they relate to adventure sports
– What it takes to be a pro
– Everything from websites, portfolios and marketing strategies
– Interviews with photographer Corey Rich and National Geographic Adventure photo editor Sabine Meyer
– And a whole lot more than I have time to list here…

At the moment, I am finishing up the last chapter and will be finalizing the book in the next week or two. It still has a long ways to go before it hits the bookshelves but it should be out this fall. Of course, I will be advertising the book in my newsletters, on this blog and others. So stay tuned.

If you just can’t wait and want to be one of the first to get the book this fall it is already up on Amazon.com and is available for pre-order.

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Men’s Fitness March 2009 Article

Last fall, I got a call from Men’s Fitness magazine to shoot the Sonoma County Sheriff’s Department helicopter search and rescue squad known as Henry 1. I have been holding these photos under my hat for months and now that the article is out I thought I’d put up an extended web gallery of images from this assignment.

I have to say that this assignment was one of the most fun and exciting assignments I have had in the last year. How often do you get to go fly around with an elite helicopter rescue unit for two full days and have them tell you “whatever you want to do you just let us know.” I probably won’t have that ever happen again. And I have to say everyone that works on the Henry 1 squad was a rockstar. They know they have one of the coolest jobs on the planet.

Though the assignment was only two days it felt like a week’s worth of helicopter time. We were flying all over the place answering calls and in between shooting training exercises on cliff bands, in the ocean and everywhere in between. I am sure some of the stunts the pilots were executing were quite a bit more dangerous than I knew. At one point Paul Bradley, the pilot with us on the first day of my assignment, slotted the chopper into a hillside with trees above the whirling blades and trees on either side only a few feet away. The next day I was hanging a hundred feet below the chopper to shoot a mock rescue. So as you can tell, this wasn’t much different than every kids fantasy: to fly in a chopper with pilots who can pretty much do anything! One of the most amazing aspects of this assignment for me was just to see how they work and how incredible their pilots are. When they take off there is no “scenic cruise” mentality. You get about a foot or two off the ground and you are out of there. They turn on a dime and lay that puppy sideways when they need to as you can see in a few of the images.

You can check out the web gallery with some of the out takes from this assignment on my website here. And finally, I would be remiss if I didn’t say a huge thank you to Lisa Elin at Men’s Fitness and the entire Henry 1 crew for being so acomadating and friendly – I had a spectacular time ripping around northern California with you guys!

You can check out the Henry 1 website at www.henry1.com. And you can download the article on the Henry 1 site here.

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The 2009 Wenger Patagonian Adventure Race


I spent the last month in Patagonia, more specifically in Chilean Patagonia – at the very end of the continent, covering the 2009 Wenger Patagonian Adventure Race (and afterwards shooting stock images in Torres del Paine). Let’s just say the race was full of carnage. Six people ended up in the hospital. Everyone was ok but some were in danger of losing limbs or even their life. There were some close calls out there, especially in the final trekking section. One photographer even broke his ankle so it was a rough year. And the carnage also extends to the camera gear as well with myself taking the biggest hit. One camera body and one lens took a swim with me in the ocean. It is toast. But thankfully my insurance covers it so I’ll have a new one here soon enough. I also have another lens and tripod that will have to be repaired as well. Other photographers had some lenses that will have to be repaired or replaced so I wasn’t alone in the equipment carnage category.

This years race was the toughest ever. The weather was wet and rainy for the entire 10 days. We did see brief, 5-minute spells of sunshine, a couple of times but they were only cruel teasers and then it was back to sideways rain. There was a lot of sea kayaking, mountain biking and trekking as well as a short rope climbing section in this years race. All in all, the first four sections of the race were pretty “casual” compared to the final sea kayaking and trekking sections. Imagine pushing off for an 11-hour sea kayak session across open ocean and into a Fjord with two meter or larger waves. Once you get to the other side, you have to exit your boat and drag it across a 30-km stretch of water soaked and densely forested wilderness, untouched by any humans in at least a century. Once you finish dragging your boat, you get back into it for another 20 km of paddling to the start of the 120-km trekking section, and all of this after five days and 400 km of racing. Sound fun so far?


The trekking section was a real killer. A team of three journalists including Mark Watson, a photographer from Australia, Lydia McDonald, a writer from the US, and myself followed the Canadian team into the trekking section. Our plan was to follow the Canadian team to the top of a pass and wait for the American team behind them. The trekking itself in that first section wasn’t too bad. There were the usual suspects: turba, dense forest, high mountain passes — and oh yeah, lots of rain, even some snow. The Canadian team decided to avoid the dense forest at the start of the trekking and instead climbed straight up a mountain to a ridge. The 1,000-foot ascent consisted of terrain covered by vegetation and in spots we climbed up 65-degree slopes pulling on whatever bushes seemed sturdy enough to hold our weight. Falling would have been a bad option. Even though this route seemed a bit strange as we climbed, in the end it saved us at least 3 hours of serious bushwhacking in the valley below.

We were geared up to do the entire trekking section, but not mentally in the same fashion as the teams. The teams that finished spent very little time sleeping. In fact, the British team Helly Hansen – Prunesco, which won the race, slept only 30-minutes in three days! The second place team slept only two hours over a four day period. That was a bit more torture than I was ready for, I admit. Plus we were waiting for the Americans, who never showed up. We later found out they got lost – several times and were barely ever on the recommended course because they chose to try and find shortcuts. They were actually rescued on the last day of the race via helicopter and that in itself is an epic story that you’ll hear about soon enough.

The wilderness we were walking through was pristine. Imagine a place where nature rules and no human, other than the racers in front of us and the organizers (who checked it out months before), had ever been. It was an inhospitable place. And surprisingly we saw no animals of any kind. Apparently it was a bit too inhospitable even for them. By night fall of the first day we found ourselves in a valley with seven 2,000-foot waterfalls. It was like a little Yosemite – albeit, a very wet Yosemite.

After two days in the wilderness completely alone, Marcelo, a guide working for the race organizers, found us in a valley — that in itself was a miracle. He was told to find us and pull us out in the bay just below us, where we would be ferried to the end of the race. When we got to the bay (which was quite a battle – it took us five hours to go 2 kilometers) there was no boat to pick us up. A small fishing boat just happened to be in an outer bay and they were kind enough to pick us up and let us relax in the dry and warm engine room until our boat arrived. We were met with fresh baked bread and coffee. It was rough I tell you! Our boat never came so the next day they even dove for sea urchins and king crab. We enjoyed a lunch of sea urchin sandwiches and fresh king crab. Race? What race? We were living high on the hog!


We finally made it to the finish and I promptly fell off the back edge of the 30-foot zodiac and had to swim to shore with my camera in a Lowepro Toploader Pro chest pouch. The zodiac had a fiberglass cap on it that left little room for feet on the slippery rubber and as I found out – being the first one to try to get off the boat (we were told to go around the outside of the boat by the pilot) – there was also nothing to hold onto for a ten foot section and I fell off trying to bridge the gap. The other dozen or so people saw me fall in and retreated to wait for a safer method. Since there was no getting back on the boat, I just swam into shore. I had been smart enough to seal my dry bags inside my backpack so my camping gear was nice and dry but I failed to put my camera, a Nikon D700 and 28-70mm f/2.8 lens, into the ziplock baggie that I used to protect it in case I fell in a river crossing. The chest pouch was under water as I swam to shore and I was pretty sure the camera was going to be a casualty. Sure enough when I got to shore, it was floating in the camera bag. Strangely enough, everyone was kind of freaking out that I was wet. It was 11:30 PM and dark but I wasn’t too concerned about being wet – we had been wet for the last three days. Being wet was just the normal state of being…..

Well, I could go on and on but I think I’ll cut this blog post short here. This year was even better than last year I have to say. The race organizers did a fantastic job. My thanks to them and Wenger for putting on what has to be one of the toughest and most beautiful races anywhere on the planet.

As usual, I’ll have a much more in-depth article about my adventures covering the race in my next newsletter. If you’d like to see some of the images I have portfolios from the race on my website which you can view by clicking here and here.

For more in-depth reporting on the race visit Rob Howard’s website Sleep Monsters. His posts, which were published every other day during the race are quite funny and very interesting.

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Big Wave surfing in Hawaii


I recently met Brian Bielmann [ www.brianbielmann.com ], one of the top pro surfing photographers in the world, and he invited me to come out and shoot some surfing at Bonzai Pipeline on the North Shore of O’ahu. Pipeline, as many of you know, is one of the world’s most famous surf breaks and regularly has swells that produce waves in excess of 30 feet. So last Thursday, Brian gave me the call about a large swell rolling in and I flew out the next morning at 6 AM. The waves turned out to be sizable, in the 15 to 20-foot range (in Hawaii they would be called 6 to 8 foot waves because the wave height is measured from the back of the wave instead of the front face). Regardless of the wave size, they were the biggest waves I have ever seen and it was a blast hanging out with Brian and his family, and learning all about the surfing world which is far removed from my normal shooting.


While I was there, on queue, two surfers were severely injured while surfing pipeline. One surfer fractured his femur! From the shore the waves look big but the expert surfers, who had traveled from all over the world to surf there, made it look so easy that I felt like I could go out there and play in the waves. The accidents were a good reminder that even though these weren’t the biggest waves to roll in at pipeline they were still very dangerous. Next time I am out there I’ll have to try shooting from the water as that seems like the next step to up the ante on my surfing images.


Also, Jamie O’Brien, who has recently been working with Vincent Laforet, was shooting video with a helmet camera while surfing Pipeline. I am sure that footage is quite spectacular.

Needless to say, I hope to return to Hawaii and shoot when the waves come up again, and if I am lucky, hopefully JAWS (a.k.a. Peahi) will rear up on the north shore of Maui and I’ll be back out there in a heartbeat to shoot the biggest wave on the planet! I’ll have some of the selects on my website here in the next week or so. Thanks again to my good friend Brian for having me out and for letting me pick his brain about surfing photography!

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Happy New Year!


With a few hours to go before the new year I just thought I’d post a blog here and wish everyone a very happy new year. 2008 turned out to be one of my best and most profitable years so far in my career. I would like to thank everyone who helped make that possible: my clients, stock agencies, assistants and everyone who purchased the Lightroom e-book this year. 2008 was filled with many highlights including a number of dream assignments and since 2009 looks to be continuing that streak, I am excited to move into the new year. Onwards and upwards as they say. Cheers…

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Following Your Passion


This article is an excerpt from my Fall 2008 Newsletter.

The idea for this article is a direct result of reading an article written by Doug Menuez entitled On Chaos, Fear, Survival and Luck: Longevity is the Answer which was published on the Editorial Photographers’ website (www.editorialphoto.com). In the article Doug discusses the dilemma of getting paid to do what you love – or for the photographer this would mean getting paid to shoot what you love to shoot. The main question he asks himself is “how can I build a satisfying and challenging creative life in photography over the long-term?” My purpose here is not to paraphrase his article, but to discuss my own path to creating satisfying work and getting paid for it.

As freelance photographers we all struggle with what we want to shoot and assignments that we have to shoot to make ends meet. If we shoot too many boring assignments it takes a toll, both in terms of creativity and motivation. Doug’s article was just one more reminder of lessons I learned earlier this year and how those lessons figure into the future of my career. To explain I’ll have to back up here and give you some background so this all makes sense. When I got into photography as a kid, way back when I was 14, I loved shooting sports. Photographing sports was challenging (especially in the manual focus days) and their was never any lack of action. Years later when I started climbing mountains and rock climbing around the world it seemed like a natural fit to bring along the camera. It was through those adventures that I became passionate about photography again and decided to make a go of it as an adventure photographer. Since climbing as a sport was one of my great passions, photographing that sport in all of it’s forms (ice and rock climbing as well as mountaineering) was a natural progression. Over the last twelve years I have branched out and shot other outdoor sports as well – in fact, I have shot just about every outdoor sport their is which fits with the “extreme” sport motif visible on my website. And since these sports and the outdoors in general were always my passion it wasn’t hard to pursue this type of work. Photographing adventure sports and adventures in general was always very satisfying for me both creatively and professionally. In this light, the question of how I could build a satisfying and creatively challenging career was a non-issue. I was lucky enough to be already doing it. And even more to the point, I was creating images that stirred my creative juices and pretty much concentrated on producing the type of images I wanted to create even to the detriment of my wallet. I could have made way more money shooting weddings or family portraits or whatnot but I realized early on that wasn’t why I became a photographer. And that is the central question one has to ask is “are you being true to yourself?” Or in photo speak, “Are your images true to your inner vision and creative spark?”


Around year ten of my career, I found myself in a conundrum that still continues. When I started out as a pro photographer I had big dreams and big goals. In the first ten years of my career I achieved almost all of those goals. Hence, I got to a place where I was asking myself “ok, where do we go from here?” At the same time I started working with a broader range of clients that needed more than just adventure sports images. This broadened my horizons a bit and tapped into another passion of mine (I have many) which is photography and art in general. I started shooting a lot of portraits – and still do. I also started to shoot a lot of non-adventure images which was a fun distraction and no doubt helped sharpen my skills as a photographer but after a few years of not concentrating solely on adventure images the “where do I go from here?” question loomed even larger. And that is why earlier this year, while covering the 2008 Patagonia Expedition Race I had a “eureka” moment. Of course discussing it now and writing about it in this newsletter the answer to my question seems so obvious. Basically, in the midst of one of the most adventurous and exciting assignments so far in my career, I realized that what gets me excited, what really makes my soul sing is a good adventure – and in terms of my professional career, creating stellar images of that adventure. And the fact that adventure images are what I produce and I can make a living producing is just icing on the cake. The problem comes in when I start to think bigger and get greedy. I want it all. I want to experience and record grand adventures but I also want to experiment with other genres of photography and have a long and rewarding career. And there is nothing to say that I can’t widen my horizons to include other genres of photography as long as they motivate and inspire my work, it is more just a matter of patience. Like the Queen song says, “I want it all, and I want it now!” Perhaps it is the ambition in me asking these questions rather than the creative side. Patience is a virtue I am still learning. Even so, don’t get me wrong, I am grateful for the very successful career I have already had and I look forward to the next ten years as a photographer (knock on wood).

In the end this article is more of a musing to get the synapses firing so both I and you, the reader, can ponder where it is we want to take our work and to find out exactly what our passions are. This is another reason Doug’s article struck me right between the eyes because he hits at the heart of what makes us tick as artists. And he really nails it in terms of how to “be true to yourself” by saying no to jobs that don’t fit into your plan, letting go of the fear of financial and creative failure and lastly breaking free of categories and being categorized by your clients. The tricky part to all of this is how to remain a pro and make enough money to continue to produce the type of work that gets your creative juices amped up. As I have said, in that respect I am lucky because to a large degree I am already doing just that and as I said in the opening editorial of this newsletter business is better than ever. In these tough economic times nothing is certain but by thinking about my career in the long term I hope to do better than just weather the current storm. So in the end the answer to my question, “where do I go from here?” is to keep on shooting adventure images and expand my photography into other genres that are in keeping with my passions.

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Fall 2008 Newsletter

The Fall 2008 issue of the Michael Clark Photography newsletter is now available for download. If you’d like to sign up for the Newsletter just drop me an email and I’ll add you to the mailing list.

This issue includes an editorial on the current economy, a review of Elinchrom’s Ranger RX Speed AS kit, an extended editorial on Following your Passion and much more.

The Michael Clark Photography Newsletter goes out to over three thousand photo editors, photographers and enthusiasts around the world. You can download the Fall 2008 issue on my website at:

http://www.michaelclarkphoto.com/fall_2008.pdf

Please note that the newsletter is best viewed in the latest Adobe Acrobat reader which is available for free at http://www.adobe.com.

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