On Assignment: Shooting Adventure Sports images for Lifstil

Last fall I was honored to be able to shoot an advertising campaign for a German start up company named Lifstil. “Lifstil” is an Icelandic word, which means lifestyle. Lifstil manufacturers extremely tough and durable portable cases for Apple laptop computers out of high-end materials used to make snowboards. They make a variety of cases for all of Apples offerings including iPads, and 13-inch, 15-inch and 17-inch laptops. And, as you can see in the images below they offer these cases in a variety of colors – both radical and sublime. These cases are without a doubt the coolest laptop cases I have ever seen or used. I was given one of the prototypes while shooting the assignment and I have been using it for over six months now.The cases are custom tailored to each laptop size and the elegant padding inside each case hugs your precious laptop or iPad as if it was made of gold. They protect your computer from just about anything but a full submersion in water – and they weigh a lot less than a similar sized Pelican case. These cases are now available in Europe and the USA online at www.lifstil.com. They are not inexpensive, but as with everything in life, you get what you pay for — and these are fantastically well made. I cannot recommend these cases highly enough and I am sure they will become a hot product here soon if they haven’t already.

Above is the “Valigostudio” case for the 13-inch MacBook Pro and below is the White Glossy case for the 13-inch MacBook Pro. These are only two of fifteen different designs. The graphics they have chosen for the cases are really quite beautiful. And of course you can choose a design that matches your personality. 

For the ad campaign, I was asked to shoot adventure sports images of four different sports: rock climbing, mountain biking, surfing and snowboarding. The client needed action, portrait and lifestyle images of each athlete or groups of athletes. Most of the assignment was shot over four very long days last October in California and Oregon, and I also shot some of the surfing images while I was in Tahiti last August. We shot four sports in three days and had an extra travel day  to get up to Mt. Hood. It was an incredibly compressed shooting schedule and we had to make the most of it. One of the toughest parts of the assignment was finding a location to shoot snowboarding in September, which as you can imagine in North America is about the worst possible time to shoot snow sports – unless you are willing to travel to northern Alaska. We did manage to find a year round snowboarding camp on Mt. Hood, near Portland, Oregon that had year round snow on a glacier. The snow was very soft but they kept a groomed jump built year round for training purposes. In the end it worked out perfectly. I just had to choose the angle I shot from wisely so as not to reveal the lack of snow on the rocky background.

Most of the images were shot in and around the Los Angeles/Ventura area. We shot rock climbing at Stoney Point Park in Chatsworth, California. Stoney Point Park is an old school climbing area in the heart of a city and it also happens to be where many of the old American rock climbing masters like Yvon Chouinard cut their teeth. The mountain biking was shot in the Lake Elsinore area, just south of Los Angeles. The first day of the assignment was a 22-hour day. I woke up at 3 AM to meet up with Lydia McDonald, our rock climber, and the client at Stoney Point Park and got back to the hotel at 1 AM. We shot both the rock climbing and the mountain biking images on that first day. The second day we were up at 5 Am to shoot surfing in Ventura. Needless to say, we were burning the candle at both ends on this assignment.

The client used a large variety of images on their website. They also used a super-saturated color treatment for all of the images, which is all the rage right now in Germany. [Note: I have had two assignments with German clients recently and both are using super-saturated color treatments for their ad campaigns.] You can see an example of the color treatment below. The top image is how I processed and delivered the image to the client and the bottom image is a screenshot of the opening page on their website. The super-saturated colors definitely give the image a lot more of an edgy feeling, which is what the client wanted. They wanted to convey to the customer that these cases provide serious protection for your computer or tablet — so much so, that taking your computer with you on your next adventure, wherever that may be, is not as risky as it might be with any other product.

CAPTIONS — Above: Lydia MacDonald rock climbing at Stoney Point Park in Chatsworth, California and a screenshot of how that image is being used on the Lifstil website. Below (top left): Lydia MacDonald crimping down on a small hold while bouldering at Stoney Point Park in Chatsworth, California. Below (top right): A still life shot of one of the more colorful laptop cases resting against a downhill mountain bike. Below (bottom left): A portrait of downhill mountain biker Anthony Solesbee. Below (bottom right): A portrait of surfer Rick Alter. Image at the top of this blog post: Anthony Solesbee getting some serious air off a small kicker while downhill mountain biking near Lake Elsinore, California.

CAPTIONS — Above: Colin Langlois posing for a portrait while snowboarding on Mount Hood near Portland, Oregon. Below: Professional snowboarder Colin Langlois getting some serious air off a 40-foot jump on Mount Hood near Portland, Oregon. Bottom Image: Pro surfer Dylan Longbottom riding the tube of a sizable wave at Teahupo’o, Tahiti.

My thanks to all the athletes that helped us to create these images: Lydia MacDonald, Colin Langlois, Anthony Solesbee, Daniel Bleicher, Rick Alter and Leah Christensen. Without your talents these images would not exist. I would be remiss if I didn’t also thank Rebecca Schatten at Arpen Productions for her help in tracking down models, locations and dealing with a large part of the production for this assignment. Thank you to Oliver Hellriegel at Lifstil for making such a stellar product and hiring me to create images to help promote it. And finally to Jessica Williers at Raumbrand for your tireless work on this project. If you travel with a laptop and want to protect it you will not be disappointed with the Lifstil cases. I can’t tell you how much I love my laptop case. It goes with me on pretty much all of my adventures now. And as you might have guessed, look for a full review of these stellar cases in the next issue of my Newsletter. Check out the Lifstil cases at www.lifstil.com.

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Images from the 2012 Surfing Photography Workshop

My apologies I have been so lax here with the blog posts. I am just now going over the last edits of my latest book Exposed: Inside the Life and Images of a Pro Photographer, hence I have not had a lot of time for the blog or the newsletter these last few months. But, I did teach, along with my good friend Brian Bielmann, a surfing photography workshop in January on the north shore of Oahu. The workshop went fantastically well. It was our first ever surfing photography workshop and Brian did an excellent job. This was his first ever workshop and he was a natural. Everyone loved him, and he regaled us with a barrage of humorous stories and anecdotes about the north shore culture and the surfing community. Above is an image that Brian shot of Rodrigo Ungaro and myself while swimming and shooting from the water at Off the Wall. This was my first time ever swimming out to shoot at Pipeline and it was a blast, and quite a lot of work. I will be swimming out at Pipeline a lot more in the future as the possibilities from the water are pretty amazing.

We got really lucky with the waves, there were some very nice days with sizable waves for the students to photograph. And Brian even got TransWorld SURF to put up a gallery of images from our workshop participants which you can see by clicking here. My thanks to all of the workshop participants for making it happen and for coming out to Hawaii and joining us for this spectacular workshop. Brian an I are currently discussing when and where to put on this workshop again so stay tuned for updates on that. Below are a few images from my time in Hawaii this past January. These images were shot before the workshop began.

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Dubai Mentor Series Photo Trek – April 20-27, 2012

Dates: April 20-27, 2012
Price: View Options Here
Instructors: David Tejada and Michael Clark

Register for this workshop on the Mentor Series Website.

I am very excited to announce a fun workshop in Dubai that is coming up quickly, in just a few months. Here are the details from the Mentor Series website:

Ramp up your photography skills this spring in Dubai, where change and rejuvenation are at every turn. Join the Mentor Series in this once-sleepy fishing village and now budding metropolis where Nikon professional photographers David Tejada and Michael Clark will match that energy and more. Pack your camera and prepare for a journey you won’t soon forget!

One of the world’s most luxurious hotels and the city’s most famous landmark the Burj Al Arab towers over the skyline like a luminescent yacht with the wind captured in its sails. Present Dubai’s story in a shot: Just as the hotel seems to glide from its private island toward the coastline, the ancient city is currently riding the wave of opulence and modernity. Allow your mentors to guide you through creating images in the unique desert light, a technique that will come in handy for the remainder of the trip.

A stop at Jumierah Mosque will prove that Dubai is still steeped in tradition. Cameras are permitted, so focus on the intricate stone carvings, painted ceilings and Arabic calligraphy. The Bastakia Quarter, a relic of the old Dubai, offers a glimpse into the past. Follow the zigzag of wind-towered buildings to the souk, or marketplace. Turn your lens toward merchants unfurling vibrant textiles before boarding the abra (“water taxi”) to snap images of the spices and wares across the creek. Gild your portfolio at the Gold Souk, Dubai’s hub of precious metals and gems. End the day on the observation deck of the Burj Khalifa, the world’s tallest building, and fill your frame with an aerial view of the city below.

Dubai comes alive on Al Seef Street after dark, when the temperature drops—the perfect opportunity to capture all the electric action. From a vantage point over Sheikh Zayed Road practice slow shutter speeds to show motion as the cars on the United Arab Emirates’ major thoroughfare zoom past. Stop to capture Jumierah Mosque once again—this holy locale radiates at night.

The adventure never stops, especially when we travel to the Arabian desert. Explore the dunes on an off-road vehicle and take in a camel caravan against the arid landscape as the sun sets. Enjoy a bedouin dinner in the desert, complete with a belly dancer. A day trip to the East Coast takes us through spectacular mountain scenery, a local market, a picturesque fishing village, a lunch by the Indian Ocean and much more. End this exciting trek on a high note—literally!—with an early morning hot-air-balloon ride, photographing from high above as the sun greets the desert landscape.

Your experience in Dubai will not only build your portfolio and improve your photographic confidence, it will be the experience of a lifetime you won’t want to miss. Sign up today!

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Exposed: Inside the Life and Images of a Pro Photographer

Over the course of the last nine months or so, between assignments and all of my other work I have been working on a new book, my third with PeachPit Press for the New Riders “Voices that Matter” Collection. As you can see from the image at left the title of the new book is “Exposed: The Life and Images of a Pro Photographer.” The idea behind this book is to strip some of the glamour off this profession and share a wide range of stories and experiences to give the reader a very clear view of what it is like to be a working professional photographer. I also discuss twelve images in detail and tell how they were created, the story behind the images, how they were shot and also how they were worked up so that everyone can see the entire process – and what it took to get the shot. Along the way I make sure not to leave out the embarrassing parts or any of the gory details so you the reader can learn from my experiences.

This book includes a DVD with a primer on Lightroom and Photoshop where you can watch me work up twelve images – and see exactly what I do and how I work (at least in the post-processing). I view this book as an advanced version of both of my books because it takes the theoretical and puts it into practice. Hence, if you have read my other two books then this one should be a natural progression from those with a lot more detail on how I produce my work.

At the moment I have one more month before the deadline to get everything into the publisher. Hence, this explains why I have been a bit lax with the blog posts. Also, because of the crazy work schedule for the next month, there will not be a 2012 Winter issue of the Newsletter. Rest assured that there will be a Spring Newsletter in a few months that takes up the slack. And at some point this spring I will also be updating my Adobe Photoshop Lightroom e-book for Lightroom version 4.

Here is the ad copy that the publisher wrote for the book:

Renowned photographer Michael Clark provides an inside look at the reality of working as a pro photographer in extreme conditions to capture and process his breathtaking images.

With an engaging writing style and cliff-hanging details, he offers a start to finish perspective on some of his most demanding assignments–including rock climbing, big wave surfing, B.A.S.E. jumping, and mountain biking–sharing the stories behind the images, his personal techniques, lighting setups, and post-processing expertise. He also talks candidly about the challenges and pressures professional photographers deal with on a daily basis. The hope is that by tagging along with Clark, you will gain insight into your own photography, improve your skills, and find inspiration to create images instead of just taking them.

Exposed: Inside the Life and Images of a Pro Photographer is for intermediate to advanced DSLR shooters. A DVD is included with a 90-minute video screencast of the author’s post processing workflow in Lightroom and Photoshop for images featured in the book. Clark’s valuable insights are relevant to any professional or aspiring photographers interested in turning their passion into a profession.

If you would like to learn more about the book, you can visit my website. You can also pre-order the book on Amazon.

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3-Page Nikon Advertorial in Digital Photo Magazine

If you happen to read Digital Photo magazine, the December 2011 issue has a three-page Nikon Advertorial that includes six of my images as well as information about those shooting areas and how the shots were created. The advertorial, entitled “Iconic Photo Locations of North America,” includes several of my favorite shooting locations in the USA: the North shore of Oahu (Hawaii), White Sands National Monument (New Mexico), the Ouray Ice Park (Colorado) and Mono Lake (California).

Nikon has been a long time client of mine and it is always a pleasure to work with them and promote their fantastic products. If you would like to subscribe to Digital Photo magazine you can do so on their website and if you would like to read the advertorial you can download a PDF copy of the three-page ad by clicking here.

My thanks to Nikon and the folks at Werner Publishing for putting this advertorial together and for choosing my work to promote the latest Nikon gear.

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American Photo 2011 Images of the Year

It has been an incredible year and the honors just keep on coming. In the latest issue of American Photo magazine my image of B.A.S.E. jumper Jon DeVore (above) was chosen as one of the best images of 2011. It garnered the runner up position for Commercial images in the 2011 Images of the Year section of the magazine. It was one of only 11 images chosen for this years Images of the Year portfolio. I am honored that they would choose one of my images and this one in particular as it was one of the most adventurous shoots I have been on in a while. My thanks to American Photo magazine and the judges for this years Images of the Year portfolio including: Lesley A. Martin, Landon Nordeman, Rick Rickman, Penny de los Santos, Joyce Tenneson and Michael Sand. This is just one more amazing honor that caps off the best year yet of my career.

The caption for my image reads: “This photo catches a moment at the top of his jump where Jon is hanging in the air,” says photographer Michael Clark of this shot of Jon DeVore’s BASE jump (for “building, antennae, span and earth”) from a cliff in southwestern Utah. “He is committed and really going for it.” You could say the same of Clark. Shooting the Red Bull Air Force jump team was an exercise in limited opportunities. “There were three jumpers, and they only jumped three times apiece,” Clark recalls. “One second after each jump, each one was just a dot in the sky. I had a remote camera set up so that each time, I got about 18 frames total from two different angles.” This was captured at 1/2,000th sec with a Nikon D300 and 10.5mm fisheye lens. See more of Clark’s work at michaelclarkphoto.com.

Additionally I have to thank Red Bull, the Red Bull Air Force and Jon DeVore, the B.A.S.E. jumper in this image.

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Master of Adventure Feature Article in Digital Photo Pro

It is truly a great honor to be included in the December 2011 “Masters” issue of Digital Photo Pro. After 15 years of hard work, this article, entitled “Master of Adventure” is one of the jewels of my career so far. Not only is it fulfilling to see this come to fruition but there is also a very good story behind the article and my relationship with Digital Photo Pro — and their sister publication, Outdoor Photographer.

Fifteen years ago in the spring of 1995, when the idea of becoming a professional photographer was just a pipe dream, one of my first submissions was to Christopher Robinson at Outdoor Photographer. I had shot some landscape images in Palo Duro Canyon State Park (near Amarillo, Texas) and wrote a one page article for one of their columns to go along with the images and my submission. At that time, I was still testing the waters to see if I could even get anything at all published. In total, I sent out three submissions: two to climbing magazines and this one to Outdoor Photographer. Amazingly all three submissions were published and that was the start of my career as an adventure photographer.

A few years ago I met up with Christopher, now the Editor of Digital Photo Pro, in Los Angeles and we reminisced about his selection of my work back in 1995 since he is partly responsible for my decision to pursue photography as a career. During that portfolio review, we got to chatting about possible articles for Digital Photo Pro and it’s sister publications and I became a blogger for Outdoor Photographer shortly thereafter. In that initial meeting Christopher said he wanted to feature me in Digital Photo Pro and I was ecstatic about that possibility since on my list of goals the last few years, which is taped to the wall right next to my computer, I have written, “Have a feature article about my work published in Digital Photo Pro.”

After shooting a big assignment out in the Los Angeles area earlier this year I met up with Christopher again and he asked me how things were going. When I told him I was having a stellar year he said, “Ok, that’s it. I would like to feature you in the Master’s issue at the end of the year. How does that sound?” I just about fell out of my chair. But before I was too overwhelmed I managed to say “Yes, that sounds fantastic” or something to that effect. Christopher has literally seen my entire career from the very beginning. So in light of that history, it is a very special honor to be among the mix in the December 2011 Masters issue.

My thanks to Christopher Robinson for including me in the this latest issue and for the great article and layout. Also, my thanks to William Sawalich, who wrote the article, and did a great job. It has been a pleasure working with you both. You can pick up a copy of the December 2011 issue of Digital Photo Pro at the local newsstand or you can read the article here on the DPP website.

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