Fall 2011 Newsletter

The Fall 2011 issue of the Michael Clark Photography Newsletter is now available for download. If you’d like to sign up for the Newsletter just drop me an email and I’ll add you to the mailing list.

This issue includes an editorial about a recent self-assignment to shoot big wave surfing, a review of Nikon’s AF-S 200-400mm f/4G ED VRII telephoto zoom lens, an in-depth On Assignment article featuring big wave surfing images from Tahiti, a perspective article entitled “Giving Thanks” and much more.

The Michael Clark Photography Newsletter goes out to over 6,000 thousand photo editors, photographers and photo enthusiasts around the world. You can download the Fall 2011 issue on my website at:

http://www.michaelclarkphoto.com/fall_2011.pdf

If you’d like to check out back issues of the newsletter they are available here.

Please note that the newsletter is best viewed in the latest Adobe Acrobat reader which is available for free at www.adobe.com.

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Presentation for Elinchrom/Manfrotto at Photo Plus East

If you happen to be out in New York City next week for the Photo Plus Expo at the Javits Center I will be speaking at the Manfrotto & Elinchrom booth about Adventure Sports Photography and how I use Elinchrom lighting equipment to accentuate my images. I will also demonstrate a high contrast black and white portrait technique so be sure to stop by if you are around. Once again here is the info for my presentation:

Thursday, October 27, 2011 – 12 noon to 12:45 PM at the Manfrotto Booth

Above you can see a shot from my talk last year at Photo Plus. As you can see it gets crowded fast so come by early if you want a seat [Image © Sara Stathas]. Other presenters include Joe McNally, Bobbi Lane, Lucas Gilman, Syl Arena, Stacy Pearsall and Sarah Silver. As usual there is a lot going on at Photo Plus. I hope to see you there.

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PDNedu Asks Photographers about their best Business practices

A few months ago PDNedu approached ten professional photographers with a question, “What is the most important action you’ve taken in support of your photography business?” It is a big question. My answer was the following:

“It’s hard to pinpoint one specific action that is (or was) most important. Throughout my career I’ve always pursued personal projects that allow me to create the type of images I want to make. Because I’m not on assignment when I shoot these images I have complete creative control with little or no pressure, and this allows me to experiment a lot. Hence, I’m able to create images that do very well in the marketplace. And because my portfolio is full of this selfassigned work I end up getting paid commissions to shoot similar subjects, which is perfect because that’s what I want to be shooting. It’s the inspiration and experimentation from those self-assignments that helps me out on major projects when the pressure is on. Of course there’s a lot that has gone into my career to make it what it is – much more than just shooting personal projects – but that is the foundation of my business. The rest is built on hard work, perseverance, passion, dumb luck and a lot of trial and error on the business side of things. Making top-notch images is just the first step of the process.”

The editors also included soundbites from nine other photographers including Stefan Chow, Matt & Agnes Hage, Leesha Quigg , Mark Humphrey, Steve Simon, Doug Menuez, Ami Vitale, Manjari Sharma and fellow adventure photographer Corey Rich. If you would like to read all of their responses go to PDNedu or click here to download a high res PDF of the article. My thanks to PDNedu for including me in the mix.

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State Street Global Advisors Print Ad

Earlier this year, in February, I shot an assignment for The Gate Worldwide, an international advertising agency, and their client State Street Global Advisors. The image produced for their ad campaign was a shot of professional golfer Camilo Villegas crouched in his “spiderman” position (see the final ad layout above). The ads started running a few months ago in several golf magazines, hence I am now able to show the image and talk about that assignment.

First off, I have to say that Camilo Villegas, Tim Ryan, Shari Goetz and the crew from The Gate were a pleasure to work with and were very professional. I was hired to shoot stills of Camilo while they were filming a national Television commercial for State Street as well. If you have ever been on set when a major commercial or Hollywood picture is being filmed then you know the drill. There were at least sixty people involved in the film crew including a big-time Hollywood director and cinematographer. This was a big budget affair and the stills were a very small component, but nevertheless, the client needed top-shelf still images and I was able to work around the film crew in the middle of the day to get my shots.

I had 45-minutes to get set up for this shot. We used three strobes and tested the set up with a stand in. I was shooting tethered to a laptop so the Art Director could see the set up shots and the images as they came in. Once we had the green light on the test shots, Camilo came out and we went to work. It was at that point that the Art Director came over and whispered into my ear, “You’ve got ten shots. That’s it.” I shot twelve and with the recycle times on the strobe it ended up being about 24 seconds total with Camilo. After looking through the shots the Art Director saw that we got what they wanted and that was it. We were done. Luckily we got the shot at midday, because only thirty minutes later the weather turned quite nasty for the rest of the afternoon. I was very happy to get the shots they needed in such a short time period because the film crew was ready to start shooting again and we didn’t want them to be waiting around. My sincere thanks to Camilo, Tim, Shari and the entire crew on this shoot. It was fascinating to see such a large motion crew at work and to be a part of it, albeit in a small manner.

Image Caption: Top-ranked professional Golfer Camilo Villegas crouching on the putting green in  his “spiderman” pose to check out the terrain at the Dove Mountain Golf Resort just outside of Tucson, Arizona.

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The Newsletter featured on AphotoEditor.com

A month ago Rob Haggart approached me about doing an interview for his prestigious blog APhotoEditor.com. The interview details how I have been able to use my newsletter as an effective marketing tool over the course of the last ten years. I have been sending my Newsletter to Rob for many years, first when he was the Director of Photography at Outside Magazine and later when he was the Director of Photography at Men’s Journal. It is a great honor to be included on his blog and my thanks to Rob for including me in the mix. You can read the interview entitled “The Newsletter as a Marketing Tool” on his blog here.

If you would like to sign up for the Michael Clark Photography Newsletter please send me an email and I will add you to the mailing list.

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At the End of the Road in Tahiti

Just in case you have been wondering where I’ve been the last month, since there have been no updates here, I was in Tahiti shooting big wave surfing on the famous wave known as Teahupo’o. I shot over 11,000 images in ten days – hence there is a lot of work to be done editing and working up those image files. All in all, it was a fantastic trip and I shot for a few different clients including TransWorld SURF, PeachPit Publishing (for a new book) and also for an advertising client who shall remain unnamed at this point.

Sadly, I had to leave on August 20th to teach a workshop in Maine at the Maine Media Workshops (and it went fantastically well) but in doing so I missed out on one of the biggest swells to hit Teahupo’o in the last decade – perhaps the biggest swell to ever hit Tahiti.That swell rolled in this past weekend on Saturday, August 27, 2011. It went down as one of the scariest days of surfing ever and the folks that towed into that monster surf showed some serious cajones. Many were injured and female big wave surfer Maya Gabiera took six monster waves on the head before being rescued. The result was a burst ear drum. For a recap of that stormy day watch the video below.

Video courtesy of Billabong

Even though I missed out on the giant swell, I was able to photograph many of the best surfer’s in the world on sizable waves like in the image above of Kelly Slater ripping down the face of an eight-foot (Hawaiian) emerald blue wave. Kelly put on quite a show on my last day in Tahiti and the light was considerably better than that this past weekend. I still have a lot of images to edit and process but I just thought I’d put up a few of the stand outs I have seen so far in my initial edit.

Stay tuned for a full feature article on this trip, and a lot more images, in the Fall 2011 Newsletter due out this coming October.
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Summer 2011 Newsletter

The Summer 2011 issue of the Michael Clark Photography Newsletter is now available for download. If you’d like to sign up for the Newsletter just drop me an email and I’ll add you to the mailing list.

This issue includes an editorial about a recent assignment shot for State Street Global Advisors, a review of Nikon’s Perspective Control (PC) lenses, an in-depth On Assignment article featuring a recent Red Bull assignment, a perspective article entitled “Following Through” and much more.

The Michael Clark Photography Newsletter goes out to over 5,000 thousand photo editors, photographers and photo enthusiasts around the world. You can download the Summer 2011 issue on my website at:

http://www.michaelclarkphoto.com/summer_2011.pdf

If you’d like to check out back issues of the newsletter they are available here.

Please note that the newsletter is best viewed in the latest Adobe Acrobat reader which is available for free at www.adobe.com.

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