Adventure Photography Workshop in Santa Fe, New Mexico

Dates: April 3-6, 2013

REGISTER ONLINE

For more information or to register by phone, call (505) 983-1400.

Adventure photography can be an adventure in itself, involving breathtaking locations, extreme conditions, and working with elite athletes in risky situations. It requires a host of skills, including technical excellence with the camera, familiarity with a sport, and the ability to be mindful of your goals and your safety at all times.

This workshop concentrates on creating unique images of rock climbers, mountain bikers, and the activities of a working ranch. Using elite athletes as our models and northern New Mexico’s incredible landscape as our backdrop, we explore innovative ways to express the excitement of each sport and location. Topics include research and preparation, composition and camera angles, equipment selection, use of natural light, fill flash, and battery-powered strobes, and autofocus techniques. We also learn how to work with athletes who routinely put themselves at risk, and we discover the best methods for capturing the intensity of their exploits. Location days find us working with athletes who are as daring as they are skilled.

Classroom time includes daily editing, review sessions, and one-on-one meetings with Michael. In addition, Michael shares his insights and experiences regarding career development, portfolios, and photographing for stock, editorial, and commercial clients.

Who Should Attend: Advanced Amateurs and Professionals

For more information visit the Santa Fe Workshops website.

Tuition & Fees: Tuition: $1,095.00, Model and Location Fee: $120.00

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Exposed Excerpt in the Fall 2012 ASMP Bulletin

An excerpt from my latest book with PeachPit, Exposed: Inside the Life and Images of a Pro Photographer, was published in the Fall 2012 issue of the ASMP Bulletin. The excerpt is from a chapter on the Wenger Patagonian Expedition Race and some of the trials and tribulations that I experienced while covering that race. For those of you that aren’t members of the ASMP (American Society of Media Photographers), and don’t get the bulletin, here is the text from that article:

On Assignment: The Wenger Patagonian Expedition Race

Little did I know that while sitting in an October 2007 Web site optimization seminar I was preparing myself for one of the most adventurous assignments of my career. ASMP’s New Mexico chapter had elected to bring Blake Discher to Santa Fe for a primer on optimizing photographer Web sites to appear on the first page of Google searches. While the technical details of this process weren’t exactly exciting, I went home that evening and applied Blake’s advice, optimizing my Web site for the search terms, “Adventure
Sports Photography.”

A month later, I received an e-mail from the Patagonian Expedition Race based in Punta Arenas, Chile, asking if I would be interested in covering “the biggest challenge in the history of adventure racing.” The e-mail went on to describe the event: “Merely equipped with a map, compass and minimal external assistance, the participants will compete in four main disciplines: Trekking, Mountain Biking, Climbing and Sea Kayaking. The race will cover more than 600 km (380 miles) through the legendary Island of Tierra del Fuego, the awe-inspiring Darwin Range, and the mystical Beagle Channel: perfect scenery for an adventure that has no equal.” And all expenses were covered.

My first thought was, this is too good to be true. It has to be spam. But in good spirit I responded, asking for more information, which I received in another e-mail a few hours later. It took me all of three seconds to say, “Yes, count me in!” As a professional photographer, I’ve found it extremely rare for an adventurous assignment like this to appear completely out of the blue. And because Patagonia had been on my list of travel destinations ever since I started climbing, this was an opportunity I couldn’t pass up.

The World’s Toughest Race

Named for the main sponsor, manufacturer of the genuine Swiss Army knife, the Wenger Patagonian Expedition Race is currently the world’s toughest adventure race—bar none. The Tour de France, the Marathon des Sables, the Iditarod and maybe a handful of others come to mind as contenders for the hardest endurance contest worldwide. It’s also an education in suffering. These Olympic athletes, Ironman winners, and internationally ranked adventure teams were pushing the envelope of the light-and-fast philosophy in unmapped terrain.

Each team is composed of four people with at least one female member. Teams must navigate the course using a wide range of outdoor skills over several stages, alternating between sea kayaking, mountain biking and trekking, as well as short climbing sections. In many sections, racers are basically on their own in some of the world’s most remote wilderness areas and rescue is extremely difficult. In that sense, it’s an expedition and safety is always a lingering concern. The race uses a different course each year, normally covering a distance of approximately 600 km (380 miles) in ten days.

Each team must carry a minimum amount of safety gear, including a first-aid kit, a tent, sleeping bag, knife, headlamp and food. Global Positioning Satellite (GPS) technology is not allowed; the teams must navigate with a map and compass. Maps are generated from Google Earth satellite images rather than using topographic maps because the areas are unexplored and unmapped. Hence, orienteering is a major factor. Although the teams must be self-sufficient throughout the race, at each checkpoint they are allowed to switch gear, take on more food and retool for the challenge ahead.

From 2008 to 2010, I traveled to southern Chile each February to shoot the race, which became my yearly “epic” adventure. I can’t say I made a lot of money shooting this, but that wasn’t the point. The race gave me access to locations I could never reach on my own. During my coverage, I’ve explored and trekked through some of the most remote terrain on earth. To see the determination and suffering needed to finish the race is also truly humbling.

The 2009 race was the hardest version ever and one of the most arcane, ridiculous and beautiful events I’ve ever experienced. A full description of this race is featured in chapter 7 of my book. For additional images, check out my extended image gallery in the Projects section on my Web site at www.michaelclarkphoto.com.

My thanks to ASMP for promoting my book and including an excerpt from Exposed in the Fall 2012 Bulletin.

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Fall 2012 Newsletter

The Fall 2012 issue of the Michael Clark Photography Newsletter is now available for download. If you’d like to sign up for the Newsletter just drop me an email and I’ll add you to the mailing list.

This issue includes an editorial about looking back on sixteen years of assignment work, a review of the new Lowepro Rover Pro 45L AW photo backpack aimed at outdoor photographers, an article about an assignment I shot earlier this year for a German client named Schiesser AG, a perspective article entitled “Embracing Risk” and much more.

The Michael Clark Photography Newsletter goes out to over 6,000 thousand photo editors, photographers and photo enthusiasts around the world. You can download the Fall 2012 issue on my website at:

http://www.michaelclarkphoto.com/fall_2012.pdf

If you’d like to check out back issues of the newsletter they are available here.

Please note that the newsletter is best viewed in the latest Adobe Acrobat reader which is available for free at www.adobe.com.

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Authors@Google Talk now Live on YouTube

A few weeks ago I gave a talk at Google as part of their Authors@Google program. I gave an hour long talk on my work and discussed the realities of working as a professional adventure sports photographer, as well as telling some stories about specific assignments. The talk dovetailed with my new book Exposed: Inside the Life and Images of a Pro Photographer.

I was asked to come speak at Google by Marc Pawliger, whom I met years ago when I shot an assignment for Adobe. My sincere thanks to Marc and the amazing folks at Google for bringing me out and taking the time to sit in on my talk. You can view my talk on YouTube.

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Michael Clark Speaking at Google

I am honored to be speaking at Google tomorrow afternoon. I will be speaking as part of the Authors@Google program about my latest book Exposed: Inside the Life and Images of a Pro Photographer. This talk will be an in-house presentation that is recorded and then posted to YouTube in a few weeks. Stay tuned and I will post the link to the presentation right here on the blog.

I spoke at Google for my last book, Adventure Photography: Capturing the World of Outdoor Sports, under the same program in 2010. If you would like to hear that presentation you can view it on YouTube here.

Also, I will be teaching an Adventure Sports Photography workshop this weekend out in the San Francisco area. For more info on that you can read my earlier blog post here. There is still time to sign up for one or both days! And the discount coupon code still works so make sure you use it.

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Exposed excerpt in the fall 2012 PDNEDU

An excerpt from my latest book with PeachPit, Exposed: Inside the Life and Images of a Pro Photographer, was published in the Fall 2012 issue of PDNEDU. The excerpt talks about a surfing image that was shot the day before the 2009/2010 Quicksilver in Memory of Eddie Eikau big wave surfing competition. The article details how the image was created, the equipment used and also how the image was processed in both Lightroom and Photoshop.

This image was shot almost a mile from the wave and the original image included a ton of sea spray, making the image out of the camera look desaturated and very washed out. Using Lightroom and Photoshop, I was able to add back into the image both contrast and saturation. The image was later used by Apple to promote their latest line of MacBook Pro laptop computers.

PDNEDU is a version of Photo District News (PDN) that is tailored for emerging photographers and photography educators. My thanks to PDN for publishing the excerpt and promoting the new book. Above is the opening spread of the article and below is the second spread, which details the gear and the post-processing. You can check out PDN EDU online.

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Review of Exposed in Outdoor Photography (UK)

My thanks to Outdoor Photography Magazine , and specifically to Jemima Graves, for doing a review of my book in the October issue of their magazine. Here is the review:

“Clark’s third book is an in-depth look at the experiences of a pro photographer. You won’t find many romanticized descriptions or misty eyed anecdotes; instead Clark’s unrelenting passion gives the book a real sense of vigour and excitement. Unafraid to share the knowledge he’s acquired over the course of his career so far, Clark discusses the making of 16 images in detail. He explains why and how they were shot, what happened in the editing process, and shares more tips for success in the DVD that accompanies the text. But, Exposed is far from a standard technique book. It offers a more personal insight into the everyday struggles a working photographer faces, as well as the spectacular and comical moments. I’d definitely recommend this to anyone who enjoys action photography – Clark’s tales of climbing sheer cliff faces and battling through snow storms are enough to make anyone want to go on an adventure!”

Also, for this issue, the editors included a sidebar titled “5 minutes with Adventure sports photographer and writer Michael Clark on his new book, Exposed.” Here is the sidebar they published:

JEMIMA GREAVES (JG): Pro photographers tend to keep their hard-earned secrets to themselves, so why write such a demystifying and honest account?

MICHAEL CLARK (MC): I wanted to strip away some of the glamour and give the reader a very clear view of what it is like to be a working professional photographer. Like anything else worthwhile in life, creating amazing images is a lot of hard work. Sure, there is plenty in Exposed that can be copied, but everyone copies someone else to some degree in the art world.

JG: You talk extensively about gear in Exposed; do you think it’s necessary to have the latest kit?

MC: The most important piece of gear I take with me on any photo shoot is myself. I think that is true in every profession. Tools are just tools. Of course, having excellent tools allows us to push the envelope in ways we couldn’t have in the past and, as a gearhead, I will say that there is always an impetus to use tools that give us better quality images.

JG: Have you ever had trouble reaching a location, or made a journey that was just too difficult to complete?

MC: For most of my rock climbing shoots I can get to almost any position I need to, it just takes a ton of work to get there. There is one race I’ve covered where the terrain is so difficult that I haven’t always been able to get where I need to be – the Patagonian Expedition Race in southern Chile. In that situation you work as hard as you possibly can, but you just have to accept that you are going to get what you are able to get, and that’s it.

JG: Do you feel that photography gives you a sense of freedom?

MC: I don’t know that photography gives me a sense of freedom but it certainly allows me to visit some incredible places and interact with amazing people. There are highs and lows, and times where I just want to throw the camera off a cliff. But when things come together, like the weather, the action and the images, then I feel on top of the world. That creative high is the reason for my obsession with photography – and why I work so hard.

Thanks again to Outdoor Photography magazine for the stellar review and the interview. I got an email from Jemima after this went to print that said, “I had such a good time reading the book that it was a pleasure to write about it.” You can download the latest issue of Outdoor Photography online here.

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