Equipment Review: LowePro Rover Pro 45L AW

A little over two years ago I met up with Pete Hill, who at that point was the Senior Product Designer for Lowepro. During our meeting he asked me, “What product are we not making that you would like to see?” It wasn’t an easy question to answer since LowePro makes more styles of camera bags than any other camera bag manufacturer on Earth. After thinking about my needs and the crazy number of other Lowepro bags I already own, I suggested that Lowepro create a backpack specifically for outdoor photographers. I described a pack that had a light, comfortable backpacking style suspension, easy access to the camera gear, and room for additional outdoor gear that we outdoor photographers have to carry with us on photo shoots. A few months ago, I got a call from the marketing department at Lowepro asking if I would like to test out their new photo backpack, the Rover Pro 45L AW. I have a long standing working relationship with Lowepro and of course I said yes when they asked me to test out the new pack. The Rover Pro 45L AW is basically the pack I asked for and I have to say it is great to see a concept come to fruition.

Above Image: On the hike in I paused for a moment to take in the view. My good friend and phenomenal photographer Marc Romanelli snapped this image of me wearing the new Lowepro Rover Pro 45L AW. Image Copyright © Marc Romanelli.

I have used the Rover Pro on a few photo shoots over the last few weeks and it has proven to be a very comfortable, lightweight backpack that can haul a serious amount of gear. In the images above and below, I am using the Lowepro Rover Pro 45L AW photo backpack on a rock climbing shoot in Diablo Canyon near Santa Fe, New Mexico. For this shoot, I had over 60 pounds of climbing and photo gear loaded into the backpack. I am not sure what the recommended maximum load for this pack is but I have a feeling I was very near to it or slightly over it. Regardless, the pack still carried quite well and was comfortable. The pack is a 45-liter pack (hence 45L in the name) and it also includes two modular equipment cases for storing your camera equipment safely in the backpack. The modular cases are heavily padded, which is key, so that the rest of your outdoor gear doesn’t injure your camera equipment. Once at the location, you can access your camera gear by zipping open the large flap on the outside of the pack (as in the left image below). This isn’t a pack for accessing your gear “on the go” like some other Lowepro packs. This is a pack for getting your gear to a location where you can set up a home base and work out of the pack.

Above left: After scrambling over huge boulders I found a place to set my pack. Since I wasn’t ever too far away from the pack it was easy to get back to it when I needed to change lenses or grab some more gear. Above right: Hiking with this pack is a breeze and it is quite durable as well. I made sure to scrape it up a bit while on this shoot. It wasn’t hard with all the scrambling and climbing I had to do to get into position. Amazingly, the pack showed no signs of wear whatsoever when I got back to the car. Both images Copyright © Marc Romanelli.

Aside from the padded camera cases, Lowepro included some other smart design features in this pack. The first thing that catches your eye is the suspension system. In my experience, most camera backpacks, when fully loaded, feel like you are carrying a giant brick on your back. If you only have to carry those “giant bricks” a short distance then it isn’t too bad, but if you need to carry them any significant distance they can really make your back sore. The Rover Pro 45L AW has an anatomic back panel the fits the curve and shape of your back. The pack arches away from your back and has a mesh lining that lays against your back. Because the mesh back panel is a tricot fabric, it automatically adjusts to your back when you put the pack on. This suspension style is a common feature in backpacking packs these days and it also allows your sweat to evaporate away instead of being absorbed by the back panel. There is also a U-shaped aluminum rod built into the back panel that forms the actual suspension system.

Maybe one of the best features of the Rover Pro 45L AW is that the shoulder straps and the torso length are adjustable so that you can custom fit the Rover Pro to your back length. This is one of my biggest issues with all camera backpacks and I asked very specifically for an adjustable torso length when I met with the Lowepro designers. As a slightly taller than average person, who is 6’3″ and has a long 22.5-inch back length, I have had a hard time finding any photo backpacks that fit my torso length. Finally, with this product we have a photo backpack that will fit just about anyone. As someone who has carried a lot of packs in the outdoors this feature is a key.

In the same vein, the waist belt is also very well designed. It is well padded but is still lightweight and it incorporates a pulley system that makes cinching the waist belt tight a snap. The waist belt straps on my sample seemed ridiculously long but nonetheless they were very effective. The waist belt also has a seam running down the middle of it that allows the hip belt to cup your hips nicely. And just in case you didn’t think I was a gear head, that last sentence will confirm my nerd status when it comes to outdoor gear! Lastly, I like that the designers have added small pockets to the waist belt so I can stash energy bars and/or gels where I can get to them easily without having to take the pack off. The Rover Pro’s suspension, adjustable shoulder straps and the ample hip belt all conspire to make it the most comfortable photo backpack I have tried yet.

Above you can see some studio shots of the pack and how the padded camera cases pull out of the front zippered flap. As you an see the two cases take up about two-thirds of the pack, but of course you don’t necessarily have to use both padded pouches on every trip. The last image (on the right) shows how gear can be packed into the pouches. You can pack a fair amount of photo gear into these pouches. These three images were provided by Lowepro and are used here with their permission.

The pack has plenty of exterior straps and buckles as well. There are places to attach extra gear, a tripod and also a pocket on the side of the pack to put your Camelbak (or similar) hydration system. As someone who has had water bottles and hydration systems leak into my packs I really appreciate the thought that went into this pack and especially the hydration pocket being on the side of the pack. There is even a little nylon strap inside the hydration pocket to hold your Camelbak in place. The camera gear sits right on top of where the hydration system would normally go so this solves the problem of having a lot of heavy camera gear pressuring your hydration system.

The pack is fairly lightweight for what it is. With the padded camera cases the pack weighs in at approximately 2,800 grams (6 lbs 3 ounces), which is a full two-pounds lighter than my next favorite photo backpack—the Lowepro Vertex 300 AW.  At just over six pounds the Rover Pro isn’t going to impress an ultralight backpacker necessarily, but considering I just carried 60+ pounds in this pack and it still felt comfortable, and carried my camera gear with ease, the weight of the pack is not too shabby. Of course, if Lowepro wanted to make a lighter weight version of this pack they could easily remove some of the extra fabric on the sides of the pack and also use a lighter weight pack fabric.

The pack also includes a full “All-Weather” (AW) rain cover that nicely zips into a pocket on the bottom of the pack. I have tested the AW covers extensively on other LowePro products and can vouch that they work extremely well. The last thing I will mention here is that the pack even has ice axe loops, which may seem crazy for most photographers, but for the adventure photographer it means I can take this pack on an ice climbing photo shoot and strap my axes on the pack.

The image below shows everything that I carried in the Rover Pro on this rock climbing photo shoot and below the image is a caption detailing the items. Even though the pack looks a little small in some of these images this shows that it can haul a considerable amount of gear.

Items that I put into the Lowepro Rover Pro 45L AW for this rock climbing shoot: 1 – Rover Pro 45L AW pack, 2 – Lightweight windbreaker jacket, 3 – Misc. climbing gear including carabiners, quickdraws and slings, 4 – Camelbak hydration bag, 5 – Large padded modular camera pouch. I put my Nikon D4, a Nikkor 70-200mm f/2.8G VR II lens, an extra battery, a memory card wallet and a few other small items in this pouch, 6 – Small padded modular camera pouch. In this pouch I had a Hoodman loupe, a Nikkor 14-24mm f/2.8 lens and a Nikkor 24-70mm f/2.8G lens, 7 – Knee Pads, 8 – Energy Bars, 9 – Headlamp, 10 – Fleece vest, 11 – Climbing harness, 12 – Static Rope (for hanging above the climber), 13 – Rope protector, 14 – Ascenders and etriers (For use with the static rope to get above the climber). And though they are not pictured here, I also had my wallet, iPhone and keys stashed in the top pocket as well.

Of course, every first generation product can be improved and while the Rover Pro is excellent as is, there are a few small changes that could make the pack even better. First, the top lid is sewn to the top of the pack, which doesn’t allow you to overstuff the pack. It isn’t a huge deal, but there are certainly those times when you want to throw in an extra jacket or gear and it is an easy fix to just attach the top lid with some sort of adjustable buckle. Second, while the camera cases are well done, they aren’t very useful on their own. It would be great to see Lowepro make the cases more versatile so that you could pull one out and use it as a fanny pack with a built-in or modular waistbelt. Lastly, while I could fit a decent amount of gear into the pack it would be nice to see a slightly larger version of the pack for those shoots where I need to take bulkier outdoor items like down jackets and such. This last item isn’t so much a critique of this pack, maybe just a note for LowePro to make a larger version of this pack like they do with their other photo backpacks.

The Verdict: If you are an outdoor or adventure sports photographer then this pack is a no-brainer. It can carry plenty of camera gear and a substantial amount of outdoor gear—and it is a comfortable pack. This is yet another excellent product from Lowepro. I will certainly be using it on my photo shoots where I need to haul photo equipment and outdoor gear into the backcountry.

Not to be overshadowed by the new backpack, the entire point of this last excursion was to photograph some rock climbing. And as you can see below, I did just that. My thanks to Aaron Miller and Amy Jordan for coming out and working with me on this photo shoot in Diablo Canyon. In the images below Aaron is climbing a route named Crystal Clear Arete, which is rated 5.12c. It is a fairly steep and difficult route—and as you can see it is also quite photogenic. I photographed Aaron on the route from above and from the side by hiking up the canyon to a position that is level with the midpoint of the route. I chose this route because it is so easy to shoot from the side and because it gets great afternoon light. The hike up to this route is also quite rugged and provided a good test for the Rover Pro.

To photograph Aaron from above, I set up a rope on the anchors of the climb and used ascenders to climb the static line. The ascenders, as you can see in the image below, allow me to let go and concentrate on photographing the climb and the climber. Shooting rock climbing from above is hard work and requires that the climber and the photographer work together to get the best images.

Above: Here I am hanging on a static rope from my ascenders, which use a camming mechanism to clamp down on the rope and hold me in place. I shot with a Nikkor 24-70mm f/2.8 lens on my Nikon D4. Having shot the route from the side, and having shot this route before, I knew the best images would be in this section just above the small overhang. Hence, I positioned myself  about fifteen feet above this part of the climb. As Aaron climbed up to my position I moved up the route with him. Image Copyright © Marc Romanelli.

My thanks to Marc Romanelli who came out with me on this photo shoot and provided images of me using the pack for this blog post. Also, my thanks to Lowepro for allowing me to test out this new backpack and for their continued support. If you would like more information about the Rover Pro 45L AW visit the Lowepro website.

For more equipment reviews please check out back issues of the Michael Clark Photography Newsletter. If you would like to subscribe to the Newsletter please send me an email and I will add you to the mailing list.

Add a comment...

Your email is never published or shared. Required fields are marked *

Mentor Series Photo Trek in New Mexico

Date: October 5-7, 2012

REGISTER ONLINE

For more information or to register by phone, call (888) 676-6468.

Workshop Leaders: Reed Hoffmann, David Tejada and Michael Clark

Come along for the photo opportunity of a lifetime as the Mentor Series heads to New Mexico to take in dramatic landscapes, rich cultural history and the hot-air extravaganza at the Albuquerque International Balloon Fiesta. Indulge photographically in the visual splendor this desert locale offers, while Nikon professional photographers Reed Hoffmann, David Tejada and Michael Clark share their extensive photographic knowledge and assist you in making the images you desire.

New Mexico’s enchanting scenic beauty will be evident when we turn our cameras on Kasha-Katuwe Tent Rocks National Monument to take advantage of the unusual and otherworldly scene before us. The naturally sculpted curved walls of the slot canyons reveal the intricate multicolored layers, composed of pumice and ash from volcanic eruptions that occurred six to seven million years ago. Frame the massive cone-shaped rock formations soaring high amid a mountainous backdrop, or stand atop the mesa and consider the role of the hoodoos juxtaposed with the juniper trees. As the sun descends, head to White Rock Overlook to capture the sweeping panoramic views, which showcase the mighty Rio Grande snaking elegantly through the landscape.

Arrival at the Balloon Fiesta before sunlight is paramount, and the variety of vibrant subject matter at this world-famous event is seemingly endless. Take a step back with your wide angle to record the entire scene, or focus on intricate details that inspire you; but regardless, enjoy the ease with which you can make your photographs while walking among the balloons and conversing with the pilots. Balance your composition as you capture the process of the crews preparing for launch, or the dazzling array of color against the deep blue New Mexico sky. After the sun sets, enjoy the breathtaking “glow event” when the balloons are tethered and fire their burners simultaneously, creating a spectacular ethereal moment. With our mentors’ best advice and the Fiesta’s unique access, you will have ample opportunity to creatively record the various elements of this festival, highlighting the world’s oldest aviation sport, from inflation to flight.

Change your perspective and if you so choose, take to the wind and journey upward in a balloon. Be among the morning’s Mass Ascension when hundreds of balloons launch together to display a kaleidoscope of brilliant hues—distinctly at eye level. Don’t just imagine the possibilities for amazing aerial and balloon photographs, use what you learn to confidently create them.

If you have ever wanted to visit the Balloon Fiesta and take timeless images of this romantic pastime, don’t miss this unique chance to experience New Mexico with the Mentor Series. Sign up today!

Who Should Attend: Open to any and all photographers.

For more information visit the Mentor Series Photo Treks website.

Workshop Fee: $1,225*

* Includes in-the-field instruction, entrance fees, presentations, digital reviews, and transportation to each shooting location. Optional add-on: sunrise hot air balloon ride from Balloon Fiesta Park during the Fiesta (additional fee).

Below is an image I shot a few years back at the Balloon Fiesta. This event is a photographer’s dream in terms of photo opportunities. And the chance to go up in a balloon during the fiesta is truly an opportunity not to be missed. This one is coming up soon so don’t miss out on this photo trek. Hope to see you here in New Mexico early next month!

Add a comment...

Your email is never published or shared. Required fields are marked *

Guest Blog on Scott Kelby’s Photoshop Insider Blog

I was honored to be asked to write a guest blog for Scott Kelby’s Photoshop Insider blog and that guest blog post has gone live today. The guest blog post talks about “Embracing Risk” and features text from my latest book Exposed: Inside the Life and Images of a Pro Photographer. While the blog post is not specifically about my latest book it expands upon an idea that was presented in the book. To read the guest blog post visit this link:

http://scottkelby.com/2012/its-guest-blog-wednesday-featuring-michael-clark/

My thanks to Scott Kelby and the Kelby Media Group for asking me to write for the Photoshop Insider blog, and also for helping to promote my latest book. I hope you enjoy it and it stirs up some good conversation.

Add a comment...

Your email is never published or shared. Required fields are marked *

Summer 2012 Newsletter

The Summer 2012 issue of the Michael Clark Photography Newsletter is now available for download. If you’d like to sign up for the Newsletter just drop me an email and I’ll add you to the mailing list.

This issue includes an editorial about producing two book in one year, a review of the new Lithium Ion battery for the Elinchrom Quadras, an article about how to choose a photography workshop, an excerpt from my latest book Adobe Photoshop Lightroom: A Professional Photographer’s Workflow, a perspective article entitled “Swimming at Pipeline” and much more.

The Michael Clark Photography Newsletter goes out to over 6,000 thousand photo editors, photographers and photo enthusiasts around the world. You can download the Summer 2012 issue on my website at:

http://www.michaelclarkphoto.com/summer_2012.pdf

If you’d like to check out back issues of the newsletter they are available here.

Please note that the newsletter is best viewed in the latest Adobe Acrobat reader which is available for free at www.adobe.com.

Add a comment...

Your email is never published or shared. Required fields are marked *

Excellent review of Adobe Photoshop Lightroom: A Professional Photographer’s Workflow

I was honored to see that fellow Lightroom Guru and Pixiq blogger Sean McCormack wrote a very impressive and comprehensive review of the latest version of my e-book, Adobe Photoshop Lightroom: A Professional Photographer’s Workflow. In that review, he sums up the book by saying:

“At over 400 pages, this book is detailed. It’s hard not to use that word, because it’s the best descriptor for the book. There’s a fantastic wealth of information in the pages. While the book was created as an eBook, it still takes design ethic from print, and is beautifully laid out. Each chapter has an opening image and quote, and the text is easy to read. A bonus is that the images in the book are higher resolution so you can print out the book, if you so desire.

…I do think this is a really good quailty text that hits a lot of points that other Lightroom and workflow books miss completely. At $24.95 I don’t think you can go wrong. This is roughly what a Kindle eBook would cost, and has much better layout. Recommended.”

You can read the full review here. And of course, you can purchase the e-book on my website here.

My thanks to Sean for the exhaustive review and for recommending my e-book to his readers!

Add a comment...

Your email is never published or shared. Required fields are marked *

Adventure Photography Workshop at the Maine Media Workshops

I hate to keep talking about workshops here on the blog so much this month, but I have pretty much all of my workshops for the rest of the year coming up in the next few months. Hence, that is why there have been so many workshop announcements this month. With that said, there are a some spots left in my Adventure Photography Workshop, which takes place on August 19-25th next month at the Maine Media Workshops. If you would like to sign up for the workshop we will have a great time and it will be a week-long intensive workshop. I hope to see you out in Maine! Here are the details:

Adventure Photography

Maine Media Workshops, Rockport, ME

August 19-25, 2012

REGISTER ONLINE

If you would like to register for this workshop please click on the link above or call the Maine Media Workshops at (877) 577-7700.

Adventure sports photography can be an adventure in itself, involving breathtaking locations, extreme conditions and working with elite athletes in risky situations. It requires a host of skills, including technical excellence with the camera, familiarity with the sport and the ability to keep your goals and safety in mind throughout.

Designed for intermediate to experienced photographers, this workshop concentrates on creating unique adventure sports and lifestyle images. We focus on outdoor sports like: kayaking, mountain biking and trail running. Using athletes as our models and Maine’s coastal landscape as our backdrop, we explore innovative ways to capture the essence of each sport. Topics covered during the week include research and preparation, composition and camera angles, equipment selection and use, using natural light, fill flash and battery-powered strobes, and autofocus techniques.

We also learn how to work with athletes who are putting themselves at risk and how to capture the intensity of the action. Each day finds us out in new locations and in the classroom editing and critiquing images, and meeting one-on-one with Michael. In addition, Michael shares his insights and experiences in the adventure marketplace, including career development, portfolios and how to shoot for stock, editorial, and commercial clients.

Students are required to shoot digitally and laptops are encouraged (highly recommended).

Who Should Attend: Amateurs and Professionals

For more information visit the Maine Media Workshops website.

Tuition & Fees: Tuition: $1,195.00

if you have any questions about the workshop please don’t hesitate to contact me.

Add a comment...

Your email is never published or shared. Required fields are marked *

Adventure Photography Workshop in San Francisco, CA

I am very happy to announce a new adventure sports photography workshop that will take place here in just a few months out in San Francisco, CA. This workshop will be taught in tandem with Eric Gould. The two-day workshop is going to be action packed and a very full two days. For more information and to register for the workshop keep on reading….

Adventure Photography Workshop – The Art of Motion

Dates: October 20-21, 2012

Register for this Workshop

Workshop Leaders: Michael Clark and Eric Gould

Location: San Francisco, CA

Adventure photographer/author Michael Clark and leading workshop instructor Eric Gould are teaming up for a hands-on workshop in San Francisco, on October 20 – 21, 2012. They’re bringing in world class athletes for you to photograph and refine your skills. Not only will you go home with a great education – you’ll get some amazing on location photos for your portfolio too.

Adventure sports photography can be an adventure in itself, involving breathtaking locations, extreme conditions and working with elite athletes in risky situations. It requires a host of skills, including technical excellence with the camera, familiarity with the sport and the ability to keep your goals and safety in mind throughout.

This workshop concentrates on creating unique adventure sports and lifestyle images. We focus on outdoor sports like: mountain biking, rock climbing and skateboarding. Using athletes as our models and the amazing landscape in and around San Francisco as our backdrop, we explore innovative ways to capture the essence of these sports.

Topics covered during the weekend include research and preparation, composition and camera angles, equipment selection and use, using natural light, fill flash and battery-powered strobes, and autofocus techniques.

We also learn how to work with athletes who are putting themselves at risk and how to capture the intensity of the action. We will be shooting on both days of the workshop and will also be in the classroom editing and critiquing images. In addition, Michael shares his insights and experiences in the adventure marketplace.

Participants will also receive a copy of Michael’s e-book, Adobe Photoshop Lightroom: A Professional Photographer’s Workflow. This e-book is top-notch resource on digital workflow and it discusses in great detail his exact digital workflow from start to finish.Please click not the link above to register for this workshop.

Workshop Fee: $599*

*If you sign up for this workshop by September 25th, 2012  you can get $200 off the workshop price using the coupon code “MCEG2” during check out.

For more information contact Eric Gould at eric@ericgould.com.

Add a comment...

Your email is never published or shared. Required fields are marked *