A podcast interview on PhotographyPodcast.com

After publishing a stellar review of my book, Exposed: Inside the Life and Images of a Pro Photographer, Scott Eccleston of Weekly Photo Tips asked if I would be willing to be interviewed for their website PhotographyPodcast.com. Of course I agreed. Interviews are always a great marketing opportunity and it is just fun to talk with a fellow photographer about the craft and how I work.

The interview lasted about an hour and we covered a lot of ground talking about my shooting techniques, lighting techniques and my two recently released books; the aforementioned Exposed title as well as my recent e-book update titled Adobe Photoshop Lightroom: A Professional Photographer’s Workflow, which is available on my website (click on the link to check it out). Of course we also talked about a variety of other subjects including some adventure stories that were told in my latest book about the Patagonian Expedition Race, my work with Red Bull and also my recent surfing images shot in Tahiti.

You can listen the interview on the PhotographerPodcast.com website—to find the actual podcast scroll down to the bottom of the page. Alternatively, you can also subscribe to The Photography Podcast on iTunes as well.My thanks to Scott and the crew at Weekly Photo Tips and The Photography Podcast for tracking me down, reviewing my latest book and including me in the mix.

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Featured Photographer on the World Open PhotoBlog

The World Open of Photography photo competition might just the biggest photo competition ever held. In addition to its size and scope, the competition offers up $50,000 in prize money, which as far as I know is the biggest purse ever offered for a photography competition. Aside from these facts, there is an incredible number of amazing images on the World Open of Photography website.

I was honored to be a featured photographer on The Open Photoblog (as seen above). After submitting images, I was notified last Friday that my submission of images had been chosen to be featured on the PhotoBlog. You can view the selection of images I submitted by clicking here.

From The Open website here are the details on this contest: The SOLO competition is open through October 31, 2012. The category winner and Photographer of the Year will be announced on November 30, 2012. The SOLO online competition is a gallery of single images, where half of the finalists are selected by an expert panel of judges and the other half are driven by public voting, fueled by the major social media platforms. The Photographer of the Year and the category winners share $25,000US. The other half of the competition is a live slideshow where the winner takes home $21,000. This Live slideshow event will take place in the spring of 2013. Check The Open website for more details.

Because half of the judging for the Photographer of the Year competition is driven by public voting I encourage anyone reading this that enjoys my work to vote for my images. You can vote for any of my images by clicking here and then clicking on the hearts next to the images. Note that you will have to register to cast votes. If you are a photographer that wants submit some of your images to the contest I can say that it is a very affordable contest – especially compared to most photography contests, which cost ten times as much.

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My new book Exposed is getting rave reviews

Just in case you missed it, I wanted to share some of the amazing reviews that my book Exposed: Inside the Life and Images of a Pro Photographer has been getting. I have to say it is humbling to hear such praise, especially since this book really puts my career and images out there for the whole world to read about. Without further ado, here are a few of the reviews the book has garnered:

“I wasn’t prepared for how good this book would be. It is, IMHO, a whole lot stronger than “Digital Masters: Adventure Photography: Capturing the World of Outdoor Sports (A Lark Photography Book)” which was the previous book by Michael Clark that I had read and liked (and reviewed here on Amazon).

Exposed is really three books in one. It is a book about the reality and business of becoming and working as a professional photographer with an emphasis on adventure photography. It is also a book on the techniques of adventure photography and lastly it is a book about post-processing. In addition, there is about 2.5 hours of video included on the accompanying DVD that shows you how Michael processed many of the images in the book in Lightroom and Photoshop. Exposed is strong in all of these areas (or as good as a book of only 288 pages could be). It is also well written in a very engaging style.

There are many photographers who write books aimed at other photographers. Some of these produce books that are good enough to inspire readers of their previous books to place pre-order’s for their newest one even without seeing it first (as long as the topic of their newest book interests them). The current photographer/author that best comes to mind that fits this category is Joe McNally. Many people such as myself will enthusiastically pre-order a new book by him as long as the topic interests them. With Exposed, Michael Clark has entered this category for me. If the topic of his next book interests me then I will probably pre-order it based upon my experience with Exposed.

Lastly, an aspect of this book that particularly appealed to me was that it seemed to have been written for intermediate and/or advanced level photographers. It seemed to assume that you understand most of the basics of photography. IMO there is a distinct dearth of books written for intermediate and/or advanced level photographers (and there are many written for beginner level photographers). That said, a beginner would probably find much of value in this book but will probably not get all of its benefits (or understand all of it) until they have gotten past the beginner level.” — Michael Brochstein

“I recently had the pleasure of reading this book. It was very unique in that it wasn’t just a How-To photography techniques book. In fact the photo tips were really a side line to the positively fascinating stories of Michael’s adventures as an action sports photographer. Have you ever looked at ridiculous adrenaline sports action shots and wondered how on earth they were photographed? Well, this book explains just that. If you have an interest in both photography and adventure sports, you will love this book. In fact, my husband (who is not a photographer) insisted that I read most of the book out loud because he was so interested in the adventure sports stories. These stories weren’t just what equipment was used and how the lights were set up (although all of this information is also included at the end of each story) but Michael takes the time to really set the scene. And some of the scenes were nothing short of amazing.

Take for instance his coverage of the Wenger Patagonian Expedition Race. This just happens to be the toughest race in the world, with only the most elite athletes participating. You can’t even imagine what the photographers go through! As if getting the perfect shots isn’t enough work, the amount of physical hardship that Michael had to endure was just unreal.

Each story explains the extreme conditions and how he managed to work within those conditions. From catching the monster waves during surfing competitions and creatively shooting Red Bull’s base jumping, to only being given 2 minutes and 10 total shots to shoot a pro golfer, Michael explains what it’s like to work under the extreme pressure of high paying and high profile clients.

All of this extreme sport photography may seem glamourous, but when Michael explains the amount of stress that this job causes it made me realize how few people in the world could do it. As much as I love adventure sports, I realized that I could never do this job. What I did take away from this book was the necessity of stoking your creative spark and creating your own body of work on self-assignments. No matter if it’s in sports photography or any other niche, he explains the importance of going out and shooting what you enjoy in order to build your portfolio. Most of the paid assignments that Michael got came as a direct result of his self-assigment work. Perhaps everyone should place as much importance on their self-assignments as they do on their paid assignments.

One of the most valuable parts of the book was the fact that Micheal showed his work as it came straight out of the camera. Then he covered (in detail) any and all adjustments that he made to the photos in both Lightroom and Photohop, until he finally showed the final picture. One of the photos that I found the most interesting was one of his surfing shots that didn’t look like much straight out of the camera. But after the post production edits, that once-dull photo scored him an account with Apple. And of course, this was a self-assignment shoot. Just proves his case even further. In addition to the technical details that he shares, he also outlined the exact equipment and used for each shoot (including an explanation of why he choose the equipment he did) and in most cases there was even a diagram illustrating the lighting setup.

In a nutshell it was a great combination of photographic inspiration, technical details, and pure reading enjoyment. I know a picture alone is worth a thousand words, but the chance to hear the stories behind those pictures was a pure treat.” — Paula Apro, via Weekly Photo Tips

My thanks to the reviewers for their incredible comments on the new book. If you haven’t checked out the book it is available via PeachPitAmazon and Barnes and Nobles.

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How to Choose a Photography Workshop

Choosing the right photography workshop can be difficult. It is difficult to know how open the instructor will be, what their teaching style is like and exactly what you can gain from a workshop. Because of the high cost of workshops doing your own research is a must. Since I teach a number of workshops, and often get asked to recommend other workshops, I thought I would layout a good strategy for choosing a workshop and also suggest some workshop instructors who I know put on top-notch photography workshops in a variety of genres.

First off, if you haven’t read my blog post from a few years ago on how to prepare for a photography workshop I would suggest reading that blog post on the Pixiq website. It details how to get the most out of your photography workshop. Having taken a few workshops myself I am often amazed at how unprepared most people are when they take a workshop. Having a game plan and a set of goals at the outset of the workshop will assure that you get as much as possible out of a workshop.

Without further ado, here are some suggestions for finding a workshop that is perfect your skill level and helps you achieve your goals:

Look for an instructor that inspires you and also has the ability to teach

Choosing to take a workshop from a photographer that inspires you is pretty easy. Figuring out before you take the workshop if they are an effective teacher is much more difficult. There is nothing more frustrating than paying a $1,000 or more for a workshop with a world-class photographer and finding out they have a huge ego, refuse to give away the key secrets to some of their images or just can’t relate to the workshop participants. I have heard stories from some of my workshop participants of some “big-time” photographers who were so busy with their own work that they were constantly on their cell phone during the workshop. That is a worst-case scenario.

How do you know if the instructor can teach and relate to the participants? That can be tough to figure out. For the few workshops I have taken, I chose instructors that gave a presentation here in Santa Fe, NM, and who seemed very open and personable. They were also experts in a very distinct genre of photography. I realize not everyone can meet the instructor at an event previous to the workshop but in this day and age most top photographers have some video of them giving a presentation online and with a little research you can find that video and see what they are like. For instance, I gave a talk at Google that is linked to on my website. Joe McNally, a well-known photographer and workshop instructor (one of the best out there), has many such videos online.

Ask for recommendations from other Workshop Participants

Another way to find out about a particular workshop is to ask former workshop participants. When taking a workshop, be sure to ask your fellow participants what workshops they have taken and their experiences in that workshop. I have found that most people who take photography workshops have usually taken more than one. Some people take one or two photography workshops every year. Hence, your fellow participants are often your best resource for finding out about other workshops that may interest you.

Ask for a recommendation from other Workshop Instructors

Likewise, asking your workshop instructor for workshop recommendations is also a great resource. Most photographers that teach workshops, have done so at a variety of workshop venues like the Maine Media Workshops or the Santa Fe Workshops. Because of this, they know a lot of other photographers, the types of workshops that they teach and they know which photographers are talented at teaching workshops. I have taught at both the Maine Media and Santa Fe Workshops, and a whole host of other venues – and I have also taught a number of workshops with other professional photographers, which allows me to recommend workshops very specifically depending on what the person asking about workshops is looking for. Aside from fellow workshop participants, a workshop instructor is probably the best resource for workshop recommendations.

Look for workshops that will help you gain specific skills

Every workshop I have taken, and I have only taken two, were chosen because I needed to learn a specific skill. For example, I took a workshop early in my career on Dreamweaver so I could learn to design my own website. At that point in my career, many years ago, I had more time than money so I had the time to create my website and taking the Dreamweaver workshop allowed me to have full creative control of my website as well.

If you are looking to improve your lighting skills look for a top-end lighting workshop. If you are looking to improve your portraiture, choose a workshop with a top portrait photographer. Also, once you have chosen a workshop be sure to prepare yourself for the workshop so that you can get the most out of it. See the link at the top of this article for my blog post, “Preparing for a Photo Workshop.”

Also, make sure that the workshop is appropriate for your skill level. If you have just started shooting then an advanced artificial lighting workshop may be a bit beyond your skill level. By selecting the appropriate workshop, one that pushes you but is not well beyond your skill level, you can advance your skill set incrementally.

Decide if you would like to take a workshop or a photo trek (or tour)

There is a difference between a photo workshop and a photo tour (a.k.a. a photo trek) – and you should be aware of this before you register for either. A workshop is a workshop designed to inform you of every aspect of the chosen subject. In a workshop you will shoot images, but that is only a part of the workshop. A workshop includes lectures, critiques, assignments, and are fairly intensive. A workshop is meant to impart information so that you come out of that workshop knowing much more about a topic than you did when you started the workshop. And example of a photo workshop would be the Adventure Sports Photography workshops that I have taught at the Santa Fe Workshops and at the Maine Media workshops. Another example would be the Surfing Photography Workshops I have taught in Hawaii with the legendary surfing photographer Brian Bielmann.

On the other hand, a photo tour or trek, is basically a tour where the instructor(s) or an organization has set up a bunch of different photo opportunities for the participants. There is still some information that is being passed on to the participants, but usually these tours are more about shooting and have only a few lectures and critiques if any. Photo treks are not as intense as photo workshops, but they often do present incredible photo opportunities in amazing locations. An example of a photo trek would be the Mentor Series Photo Treks that I have taught in Philadelphia, New Mexico and Dubai.

The reason I bring this distinction up is that if you are looking for an intensive photo workshop where you can learn a lot about a specific topic, then you will be disappointed with a photo tour. And vice versa, if you just want to go out and shoot with a pro photographer in a really amazing location, a photo workshop may not be what you wanted. Hence, be sure to ask lots of questions and read the workshop materials carefully. If you are in doubt about a workshop, email the instructor and ask them what will be covered and what the workshop will be like. If you don’t get a response from the instructor, that would be a red flag. I personally respond to anyone and everyone that asks me questions about my workshops. If I am away on a major assignment it may take me a week to get back to you, especially if I am in a remote location on the other side of the planet, but rest assured I will get back to you. Most photographers teaching workshops will answer any and all emails about their workshops.

If your digital workflow isn’t up to snuff, find a workshop to help you gain control of your post-processing

In every workshop I take, there are a number of folks whose digital workflow is seriously lacking. Most amateur photographers could improve radically by learning to work up their images in Lightroom, Aperture or Photoshop. It doesn’t matter how great of an image you take in the camera if you can’t work it up so that it really shines. I bring this up because if you choose an advanced workshop that concentrates on a subject like lighting for example, then you can be guaranteed that the majority of the class has the skills to work up their images to perfection (or at least to a high level). And if you don’t, then you will be feel like a fish out of water. This is a basic part of digital photography so if you don’t feel like you have a handle on digital workflow I suggest buying a book on that topic, like my digital workflow e-book, or taking a workshop on digital workflow so you can get a handle on your post-processing. I know it isn’t a sexy, exciting workshop but trust me – this type of workshop will improve your photography more than any other workshop out there if you need help with working up your images.

Alright, now that I have laid out some of the key things to think about when choosing a photo workshop I will recommend some of the best workshop instructors that I know and have taught with. I guarantee that these instructors put on a great workshop and you will not be disappointed. Here is the list:

Andy Biggs (http://www.andybiggs.com/) – If you are looking to photograph wildlife anywhere in the world, check out the photo safaris that Andy Biggs teaches. He is a top-notch instructor and a fun guy to travel with. His African Safaris are the best out there and you will not be disappointed with your experience. I have taught with Andy several times and he knows his stuff backwards and forwards – and he can explain just about anything in a clear and concise manner.

Nevada Wier (http://www.nevadawier.com/) – Nevada has to be one of the best workshop and photo tour instructors anywhere in the world. She is great with people, as you can see from her wonderful photography, and she also has impeccable credentials. She has shot for National Geographic and a whole host of top-end clients. She is also very capable when it comes to technical details including shooting with digital cameras, post-processing and fine art printing. If you want to improve your portraiture of indigenous peoples then look no further, Nevada is as good as it gets. I can guarantee you will love your workshop with Nevada.

Lightroomworkshops.com (http://lightroomworkshops.com/) – Jerry Courvoisier heads up the team at the Lightroomworkshops.com and he is one of the foremost experts on Lightroom and Photoshop. Nevada Wier and George Jardine also teach for him and both are excellent instructors. These workshops are Lightroom specific and are a two-day intensive workshop at a great price. I am not sure if Jerry is still teaching Photoshop workshops, but he is a Photoshop guru of the highest order and you can’t go wrong with one of his workshops. I used to teach some of these 2-day Lightroom workshops for Jerry so I can vouch that they are intensive and super informative!

Joe McNally (http://portfolio.joemcnally.com/) – Joe is an incredibly accomplished photographer and one of the best workshop instructors anywhere. If you are looking to advance your skills, especially with artificial lighting, taking a workshop with Joe is a no-brainer. He is in such popular demand these days that you will have to be quick on the draw to get into one of his workshops. If you can, you will not be disappointed.

Andrew Eccles (http://andreweccles.com/) – Andrew is one of the top portrait photographers in the world and very nice guy. He occasionally teaches photo workshops at the Santa Fe Workshops. I am not sure if he is still teaching but if you can find a workshop with him you will learn a lot. He is a master portrait photographer and a lighting guru. If you are looking to advance your portraiture or lighting skills and are lucky enough to take a workshop with Andrew you are indeed blessed!

Of course there is a long list of people I could mention here that are excellent workshop instructors. Those listed above are just a few that I know well and whom I can vouch for. There are many other great workshop instructors out there. Also, in addition to the folks I have listed above I will say that the Santa Fe Workshops and the Maine Media Workshops both put on an incredible number of extraordinary workshops. Check out their workshop listing on their websites. If you are looking for a photo trek, I highly recommend the Mentor Series Photo Treks as they set up some incredible photo ops on their photo treks and I have had a blast working with them the last three or four years.

Of course, I feel like I do a very good job as an instructor myself. I don’t say this to be arrogant. I have gotten some great feedback in all of my workshops and I am very open when it comes to sharing any aspect of my work and my life. If you are interested in taking a workshop on digital workflow, adventure sports or artificial lighting check out the workshops I am teaching this year right here on my blog. As in the image above, a shot by Brian Bielmann of myself and a workshop participant shooting in the water at Pipeline on the north shore of Oahu, my workshops help photographers to get images they never would have dreamed of creating. Here’s hoping your next workshop is a grand experience that you will never forget!

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Digital Workflow ebook updated for Lightroom 4.1 and Photoshop CS6

Click here to purchase Adobe Photoshop Lightroom: A Professional Photographer’s Workflow

I am happy to announce that the new version of my digital workflow e-book, Adobe Photoshop Lightroom: A Professional Photographer’s Workflow has been updated for Lightroom 4.1 and Photoshop CS6 and is now available on my website. I have been working on this new version of the e-book for a few months now and have done extensive research to expand and greatly improve this new, updated and re-written version of the book. I can honestly say that I have not seen any other book on the market that includes as much detailed and comprehensive information as this e-book does on digital workflow.

I have updated and added brand new information on the following topics:

Equipment Selection – NEW
*Advanced Color Management  – REVISED AND UPDATED
*Advanced Monitor Calibration – REVISED AND UPDATED
Monitor Recommendations – REVISED AND UPDATED
Ink Jet Printer Recommendations – REVISED AND UPDATED
Adobe Camera Profiles – REVISED AND UPDATED
Soft Proofing – NEW
Explanation and How-to section on using the new Develop Module Sliders – NEW
In-depth explanation of the Clarity slider – REVISED AND UPDATED
In-depth examination of the Sharpening sliders – REVISED AND UPDATED
In-depth examination of the new Noise Reduction sliders – REVISED AND UPDATED
Explanation of new Lens Correction controls – REVISED AND UPDATED
Localized Adjustments – REVISED AND UPDATED
The Map and Book Modules (Brief Overview) –  NEW
Lightroom 4.1 and CS6 Compatibility – REVISED AND UPDATED
** Photoshop Workflow – REVISED AND UPDATED

* The Color Management chapter has yet again been expanded and now includes advanced Color Management tips as well as a detailed discussion on Advanced Monitor Calibration including recommendations on Monitors and monitor calibration devices.
** The Photoshop workflow has been expanded yet again and includes even more exacting details on my Photoshop workflow.

But above and beyond this new information I have gone through and added information to almost every section of the book, expanding the page count to 409 pages. In particular, I have dug deep and included more  detailed insight in the Color Management chapter including recommended monitors, monitor calibration devices and ink jet printers. That chapter alone is worth purchasing the new version of the e-book. I also describe all of the new sliders in the Develop module in detail, so if you are having trouble adjusting to the new version of Lightroom’s Develop module then look no further. This e-book will give you everything you need to process your images with confidence.

The e-book is a downloadable PDF file that can be purchased for the low price of $24.95. It is an entire week-long workshop in book form.

Below are a few sample double-page spreads from the new book. As you can see the layout has been further improved and the text has been optimized for reading the book on an iPad, iPhone or a laptop computer. And of course the e-book is also a high resolution document and prints very well. For more information check out the full description of the e-book, including what is new and revised in the book, on my website.

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2013 Surfing Photography Workshop in Hawaii

Dates: February 14-17, 2013

Workshop Leaders: Brian Bielmann and Michael Clark

Location: Turtle Bay Hilton Resort, Oahu North Shore, Hawaii

About The Workshop

Join legendary surfing photographer Brian Bielman and adventure sports photographer Michael Clark for an exciting one-of-a-kind workshop that delves into the world of surfing photography. Brian is a top surfing photographer who has been shooting the sport for more than 25 years. Michael brings his adventure photography skills and knowledge as well as his in-depth experience with digital workflow to round out the workshop.

This 4-day workshop combines daily photo shoots at world-class surfing locations and classroom instruction. We will be spending half of our time shooting in the early mornings and in the late afternoon and evenings when the waves and the light are at their best. The other half of our time will be spent in the classroom. All of the classroom instruction will be centered around image critiques, discussions on gear, strategies and the business of photography as well as in-depth discussions on shooting surfing. We’ll also cover digital workflow in detail using Adobe Photoshop Lightroom Version 4.X.

The workshop is scheduled during a period where large waves hit the north shore frequently. Though we cannot predict or guarantee the wave size or surfing conditions, the north shore of Oahu serves up sizable waves on a nearly daily basis.

Workshop Schedule

Day 1 – Morning
Introduction to surfing photography, gear selection, camera setup and shooting options.

Day 1 – Afternoon/Evening
Cover basic digital workflow and then head out to shoot at the world-famous Pipeline on the north shore of Oahu.

Day 2 – Morning
Dawn Patrol: Early morning surfing shoot on the north shore of Oahu – actual surf break to be determined depending on conditions.

Day 2 – Afternoon/Evening
Group critique of previous days images, discussion of underwater photography and shooting from the water. Evening shoot with strobes on the north shore of Oahu – actual surf break to be determined depending on conditions.

Day 3 – All Day
Dawn Patrol: Early morning surfing shoot on the north shore of Oahu – actual surf break to be determined depending on conditions.

Day 3 – Afternoon/Evening
Group critique of previous days images, portrait shoot on the beach with male and female surfers.

Day 4 – Morning
Dawn Patrol: Early morning surfing shoot on the north shore of Oahu – actual surf break to be determined depending on conditions.

Day 4 – Afternoon
Group critique of previous days images, wrap up and discussions on the art of surfing photography.

Please note that locations may change depending on conditions.

About the Instructors

Brian Bielman is a legendary surfing photographer. He has shot everything from fashion, to rock stars, to surf. From world champ surfers Mark Richards to Andy Irons, he has captured them all and just about everything else important that has happened on Hawaii’s North Shore since 1975. He was there to document the early days of Teahupo’o (Tahiti) and put a fresh perspective on it ten years later with his underwater images. He is well known for not only his above water surfing images but even more for his stunning underwater images of surfing. Able to shoot more than just the action Brian also captures the spirit and faces of surfing. You can see more of Brian’s work atwww.brianbielmann.com.

Michael Clark is an internationally published outdoor photographer specializing in adventure sports, travel and landscape photography. He produces intense, raw image of athletes pushing their sports to the limit and has risked life and limb on a variety of assignments to bring back stunning images of rock climbers, mountaineers, kayakers and mountain bikers in remote locations around the world. He contributes to National Geographic, Sports Illustrated, Outside, Men’s Journal, Backpacker, Outdoor Photographer, Digital Photo Pro, Climbing, Alpinist, Rock and Ice, Bike Magazine and The New York Times among many others. You can see Michael’s work atwww.michaelclarkphoto.com.

The Cost
The cost of this workshop is $1,035.00 per person. The same rate applies for each participant regardless of whether they are doing photography and participating in the workshop, or not. A nonrefundable deposit of $350 is required to secure your spot on the workshop. Final balance will be due no later than January 10, 2013.

Please note: We will attempt to adhere to this itinerary as much as possible. However, certain conditions, such as bad weather, may necessitate changes in the itinerary. We reserve the right to alter any itinerary at any time, if necessary.

Accommodations
The classroom portion of the workshop will be held at the Turtle Bay Resort on the north shore of Oahu. We have negotiated a group rate that is discounted from their advertised prices. To receive the discounted rate, please mention the Surfing Photography Workshop. Please note that there are few if any other hotels on this side of the island. If you would prefer to stay elsewhere there are also hotels in Haleiwa, which is 12 miles south of the hotel and approximately a 30 minute commute.

Transportation
Most major airlines service the island of Oahu, Hawaii. Honolulu, the major city on the island is approximately one hour south of the north shore and our hotel. The Turtle Bay Reset is located on the northern tip of Oahu and is somewhat remote. The hotel has a restaurant, golf course, tennis courts and of course is located right next to the beach.

We do not provide transportation during the workshop. Please plan ahead and reserve a rental car. Rental cars are available in Honolulu. Of course, we will share vehicles and car pool to make life easier for all of us. We are not responsible for reimbursement of non-refundable airline tickets in the event of a workshop cancellation.

Workshop Materials
All participants will be given a copy of Michael’s e-book entitled Adobe Photoshop Lightroom:
 A Professional Photographer’s Workflow, which details his complete workflow from start to finish.

You will need to bring the following equipment with you:
• a 35mm digital SLR camera with interchangeable lenses
• a laptop computer with a USB memory key, DVD or external hard drive. Instructors will be using Apple Computers.
• Adobe Photoshop Lightroom software installed on your computer (you can download the 30-day trial version of Lightroom before the workshop if you don’t already have the software.)
• Digital memory cards with a card reader (preferably CompactFlash or Secure Digital Cards)
• power adapters and cables for laptop and digital camera
• camera manual
• batteries and charger for rechargeable batteries

It is expected that you know how to download images from your camera to the laptop, know basic editing techniques using your software, and are able to organize the edited images for critique.

Telephoto Lenses and Underwater Camera Housings
Also since surfing photography relies on large telephoto lenses, each participant will need to bring a telephoto lens that is at least 400mm. A 500mm or 600mm lens is preferred. If you don’t own one of these lenses please rent or borrow one to bring with you. Please contact Michael or Brian with any questions about lens selection and rental options. Both B&H and Samy’s Camera in the USA have rental houses that can rent these lenses. We also have a special deal with Hawaii Photo Rental Oahu who have 500mm and 600mm lenses for both Canon and Nikon and will be renting these to workshop participants at discounted rates ranging from $323 to $550. Call Josh Strickland at Hawaii Photo Rental Oahu at (808) 735-3838 for more information on renting one of these lenses.

Also, if you plan to shoot in the water please bring your underwater camera housing. Brian has several underwater housings for Canon cameras and will have these available for those that want to try them out.

Registration
If you’ve always wanted to shoot the amazing sport of surfing, then now is the time to register. Remember, there will be limited space available for this workshop. When they’re spoken for, that’s it. If you have any questions before registering, send us an e-mail with any inquiries to info@michaelclarkphoto.com. To register for the workshop send me an email and I’ll send you a payment request for the deposit and a packet of information about the workshop.

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Red Bull features Exposed on the Red Bull Illume Website

Red Bull, via their Red Bull Illume website, featured an article about my latest book, Exposed: Inside the Life and Images of a Pro Photographer. My thanks to Red Bull and Red Bull Illume for promoting the book. The book by the way includes quite a few images that were shot on assignment for Red Bull. I always look forward to every Red Bull assignment because they are always an adventure. Here is the text they posted with the article:

Red Bull photographer Michael Clark is releasing a new book, Exposed: Inside the life and images of a pro photographer. With Exposed, Clark has created a photographic guide packed with practical tips, detailed lighting setups and behind-the-scenes stories from a variety of adventurous assignments. The photo book provides an inside look at the reality of working in extreme conditions to capture and process breath-taking imagery, and the reality behind being a professional photographer.

Clark offers start-to-finish details of some of his most demanding assignments—rock climbing, big wave surfing, sky-diving, and mountain biking. Sharing his personal shooting expertise, the Red Bull photographer gives advice about on-the-fly problem-solving skills and post-processing techniques in Adobe Lightroom and Adobe Photoshop. An accompanying DVD-ROM with 149-minutes of video shows the author’s post-processing workflow using Lightroom and Photoshop for 16 of the images featured in the book. Also included is a how-to primer on these software programs.

“I discuss the sixteen images in detail and tell how they were created, the story behind the images, how they were shot and also how they were worked up so that everyone can see the entire process—and what it took to get the shot. Along the way I make sure not to leave out the embarrassing parts or any of the gory details so the reader can learn from my experiences!”

“The idea behind this book is to strip some of the glamour off this profession and share a wide range of stories and experiences to give the reader a very clear view of what it is like to be a working professional photographer—and what it takes to create top-notch images,” says Clark.

Exposed is available for on PeachPitAmazon.com and Barnes and Nobles. For more info, check out Clark’s website here.

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