2011 SURFING PHOTOGRAPHY WORKSHOP In Hawaii

January 13-16, 2011

Workshop Leaders: Brian Bielmann and Michael Clark

Location: Turtle Bay Hilton Resort, Oahu North Shore, Hawaii

About The Workshop

Join legendary surfing photographer Brian Bielman and adventure sports photographer Michael Clark for an exciting one-of-a-kind workshop that delves into the world of surfing photography. Brian is a top surfing photographer who has been shooting the sport for more than 25 years. Michael brings his adventure photography skills and knowledge as well as his in-depth experience with digital workflow to round out the workshop.

This 4-day workshop combines daily photo shoots at world-class surfing locations and classroom instruction. We will be spending half of our time shooting in the early mornings and in the late afternoon and evenings when the waves and the light are at their best. The other half of our time will be spent in the classroom. All of the classroom instruction will be centered around image critiques, discussions on gear, strategies and the business of photography as well as in-depth discussions on shooting surfing. We’ll also cover digital workflow in detail using Adobe Photoshop Lightroom Version 3.X.

The workshop is scheduled during a period where large waves hit the north shore frequently. Though we cannot predict or guarantee the wave size or surfing conditions, the north shore of Oahu serves up sizable waves on a nearly daily basis.

Workshop Schedule

Day 1 – Morning
Introduction to surfing photography, gear selection, camera setup and shooting options.

Day 1 – Afternoon/Evening
Cover basic digital workflow and then head out to shoot at the world-famous Pipeline on the north shore of Oahu.

Day 2 – Morning
Dawn Patrol: Early morning surfing shoot on the north shore of Oahu – actual surf break to be determined depending on conditions.

Day 2 – Afternoon/Evening
Group critique of previous days images, discussion of underwater photography and shooting from the water. Evening shoot with strobes on the north shore of Oahu – actual surf break to be determined depending on conditions.

Day 3 – All Day
Dawn Patrol: Early morning surfing shoot on the north shore of Oahu – actual surf break to be determined depending on conditions.

Day 3 – Afternoon/Evening
Group critique of previous days images, portrait shoot on the beach with male and female surfers.

Day 4 – Morning
Dawn Patrol: Early morning surfing shoot on the north shore of Oahu – actual surf break to be determined depending on conditions.

Day 4 – Afternoon
Group critique of previous days images, wrap up and discussions on the art of surfing photography.

Please note that locations may change depending on conditions.

About the Instructors

Brian Bielman is a legendary surfing photographer. He has shot everything from fashion, to rock stars, to surf. From world champ surfers Mark Richards to Andy Irons, he has captured them all and just about everything else important that has happened on Hawaii’s North Shore since 1975. He was there to document the early days of Teahupo’o (Tahiti) and put a fresh perspective on it ten years later with his underwater images. He is well known for not only his above water surfing images but even more for his stunning underwater images of surfing. Able to shoot more than just the action Brian also captures the spirit and faces of surfing. You can see more of Brian’s work at www.brianbielmann.com.

Michael Clark is an internationally published outdoor photographer specializing in adventure sports, travel and landscape photography. He produces intense, raw image of athletes pushing their sports to the limit and has risked life and limb on a variety of assignments to bring back stunning images of rock climbers, mountaineers, kayakers and mountain bikers in remote locations around the world. He contributes to National Geographic, Sports Illustrated, Outside, Men’s Journal, Backpacker, Outdoor Photographer, Digital Photo Pro, Climbing, Alpinist, Rock and Ice, Bike Magazine and The New York Times among many others. You can see Michael’s work at www.michaelclarkphoto.com.

The Cost
The cost of this workshop is $995 per person. The same rate applies for each participant regardless of whether they are doing photography and participating in the workshop, or not. A nonrefundable deposit of $350 is required to secure your spot on the workshop. Final balance will be due no later than December 10, 2010.

Please note: We will attempt to adhere to this itinerary as much as possible. However, certain conditions, such as bad weather, may necessitate changes in the itinerary. We reserve the right to alter any itinerary at any time, if necessary.

Accommodations
The classroom portion of the workshop will be held at the Turtle Bay Resort on the north shore of Oahu. We have negotiated a group rate that is discounted from their advertised prices. To receive the discounted rate, please mention the Surfing Photography Workshop. Please note that there are few if any other hotels on this side of the island. If you would prefer to stay elsewhere there are also hotels in Haleiwa, which is 12 miles south of the hotel and approximately a 30 minute commute.

Transportation
Most major airlines service the island of Oahu, Hawaii. Honolulu, the major city on the island is approximately one hour south of the north shore and our hotel. The Turtle Bay Reset is located on the northern tip of Oahu and is somewhat remote. The hotel has a restaurant, golf course, tennis courts and of course is located right next to the beach.

We do not provide transportation during the workshop. Please plan ahead and reserve a rental car. Rental cars are available in Honolulu. Of course, we will share vehicles and car pool to make life easier for all of us. We are not responsible for reimbursement of non-refundable airline tickets in the event of a workshop cancellation.

Workshop Materials
All participants will be given a copy of Michael’s e-book entitled Adobe Photoshop Lightroom:
 A Professional Photographer’s Workflow, which details his complete workflow from start to finish.

You will need to bring the following equipment with you:
• a 35mm digital SLR camera with interchangeable lenses
• a laptop computer with a USB memory key, DVD or external hard drive. Instructors will be using Apple Computers.
• Adobe Photoshop Lightroom software installed on your computer (you can download the 30-day trial version of Lightroom before the workshop if you don’t already have the software.)
• Digital memory cards with a card reader (preferably CompactFlash or Secure Digital Cards)
• power adapters and cables for laptop and digital camera
• camera manual
• batteries and charger for rechargeable batteries

It is expected that you know how to download images from your camera to the laptop, know basic editing techniques using your software, and are able to organize the edited images for critique.

Telephoto Lenses and Underwater Camera Housings
Also since surfing photography relies on large telephoto lenses, each participant will need to bring a telephoto lens that is at least 400mm. A 500mm or 600mm lens is preferred. If you don’t own one of these lenses please rent or borrow one to bring with you. Please contact Michael or Brian with any questions about lens selection and rental options. Both B&H and Samy’s Camera in the USA have rental houses that can rent these lenses. We also have a special deal with Hawaii Photo Rental Oahu who have 500mm and 600mm lenses for both Canon and Nikon and will be renting these to workshop participants at discounted rates ranging from $323 to $550. Call Josh Strickland at Hawaii Photo Rental Oahu at (808) 735-3838 for more information on renting one of these lenses.

Also, if you plan to shoot in the water please bring your underwater camera housing. Brian has several underwater housings for Canon cameras and will have these available for those that want to try them out.

Registration
If you’ve always wanted to shoot the amazing sport of surfing, then now is the time to register. Remember, there will be limited space available for this workshop. When they’re spoken for, that’s it. If you have any questions before registering, send us an e-mail with any inquiries to info@michaelclarkphoto.com. To register for the workshop send me an email and I’ll send you a payment request for the deposit and a packet of information about the workshop.

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Red Bull 2010 Art of Motion Free Running Competition

On a recent assignment for Red Bull, I shot the 2010 Red Bull Art of Motion event in Tampa, Florida. This was a free running and parkour event. For those of you that don’t know about Parkour and free running it is basically a “non-competitive, physical discipline of French origin in which participants run along a route, attempting to negotiate obstacles in the most efficient way possible. Skills such as jumping and climbing, or the more specific parkour moves are employed (from Wikipedia).” More specifically it is a mix of gymnastics, dance, martial arts, running and self expression.

For the Red Bull contest their where 25 athletes who each had 90 seconds to make use of a course designed by the Red Bull judges. As you can see from the images the athletes were flying through the air, doing backflips, spinning, jumping and generally performing some amazing feats of athleticism without any pads or protection. They were taking huge risks relying only on their skills to prevent any injuries. A few people got a bit banged up but no one broke any bones or did any real damage to themselves. Not surprisingly, Yohann “Zephyr” Leroux, who is the World Champion from France won the event after doing a series of backflips off the top of a second story building. He is pictured above doing a one arm handstand on top of the Red Bull truck that came out for the contest — and yes, that is a tail attached to his pants.

All in all, the event was a great success with a few thousand people coming out to watch the action. This was my first time photographing the sport of Parkour and it quite impressive what these guys were able to do without getting injured. My thanks to Red Bull for having me out to cover the event and get in on the action.


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A Photo shoot with world Class Kenyan Runners

This summer I had the opportunity to shoot with some amazing runners who live and train here in Santa Fe, New Mexico for part of the year but hail from Kenya. They are among the top 30 runners in the world. Bernard Langat, Aron Rono and  Caroline Rotich (pictured above) train in Santa Fe for about six months of the year as part of a program with the AmeriKenyan Running Club. This allows them to train here in the United States and gives them access to races happening all over the country with top prizes upwards of $100,000 for the winner. This shoot allowed me to experiment with some new techniques, new gear and to get to know the runners who are amazing in their own right. Working with them was a ton of fun. We shot the portraits first and with the full on location studio set up just outside their apartment we were all laughing quite a bit. You’ll see these images in the pages of Nikon World Magazine at some point and also used for a variety of other clients I work with regularly.

Caroline Rotich (above) is one of the favorites in this years New York City Marathon. She is sleek and fast. We shot running images on a trail just south of Santa Fe, where they run anywhere from six miles to a full marathon every day. There are no days off. They are motivated and dedicated like few athletes I have worked with before.

Bernard Langat (above) is not a marathoner – at least not yet. He runs shorter races like the 10K. He has a powerful build as is obvious. Aron Rono (below) is the tallest of the three runners I worked with and his lanky build belies his long stride and incredible speed. All of these runners live for their sport. It is their full-time job. Their days are spent running in the mornings and evenings, and then recovering, resting and studying their workouts to maximize performance.

The portraits were shot with a three light set up and black background using one Elinchrom Ranger RX Speed AS head with a deep dish 100cm softbox and two Elinchrom Quadras with 7-inch reflectors. This is a very common technique these days and it is also a very easy set up. The two Quadras, placed behind the subject on either side, really help separate them from the background. And since I have done so many black and white portraits on a white background I thought I’d mix it up this time around.

My thanks to Scott at the AmeriKenyan Running Club for all his help setting up this shoot and to the runners who were great to work with. I hope to work with them again soon on assignment or just shooting more stock images.

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Michael now a Nikon World Magazine Columnist

Earlier this year I became a columnist for Nikon World Magazine. I took over the Workshop column, which was formerly written by celebrated Sports Illustrated photographer Dave Black. The Workshop column discusses images created using specific Nikon gear and gives the details of how readers can create similar images. Nikon World is published quarterly and the Workshop column appears in the Spring and Fall issues. It is a great honor to work with the editors at Nikon World and it is also a phenomenal showcase for my images. You can check out the Spring 2010 article on the Nikon World website, which details the use of one of my favorite lenses – the fisheye. For years I have called this lens my secret weapon because it works so well for a wide variety of adventure images. If you want to get the magazine you can subscribe to it online at www.nikonusa.com.

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Depth of Field Interview with Matt Brandon

A little over a month ago I got an email from Matt Brandon who is a photographer based in Kuala Lumpur. He not only shoots some fantastic images for NGOs but also teaches photography workshops and has recorded a number of interviews with professional photographers, talking about their work and the realities of working as a pro in this day and age. It took us a few attempts before we could record the interview because the connection on Skype was a bit rough but we finally got it to work a few weeks ago and it is now online. In the interview we talk about my work as an adventure photographer, some of my history and how I started out as well as some of the difficulties working as an adventure photographer. The interview also talks at length about my newsletter and how that is an integral part of my marketing.

If you have an hour or so check out the interview here on Matt’s website at www.the digitaltrekker.com.

My thanks to Matt for taking the time to produce this interview. It was a pleasure getting to know him and his work and to be able to do the interview. Please note the sound quality is a bit rough for the first minute or so but gets better for the rest of the interview pretty quickly. Also, Matt has quite a few other great Depth of Field interviews on his website as well. Check those out here.

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Summer 2010 Newsletter

The Summer 2010 issue of the Michael Clark Photography Newsletter is now available for download. If you’d like to sign up for the Newsletter just drop me an email and I’ll add you to the mailing list.

This issue includes an editorial with some musings on my latest workshops, an equipment review of the Eizo ColorEdge CG243W monitor, a special portfolio section detailing an assignment for Red Bull where I shot the Red Bull Air Force team BASE jumping in wingsuits off a 3,200 foot cliff, a perspective article on the realities of being a pro photographer and much more.

The Michael Clark Photography Newsletter goes out to over 5,000 thousand photo editors, photographers and photo enthusiasts around the world. You can download the Summer 2010 issue on my website at:

http://www.michaelclarkphoto.com/summer_2010.pdf

If you’d like to check out back issues of the newsletter they are available here.

Please note that the newsletter is best viewed in the latest Adobe Acrobat reader which is available for free at www.adobe.com.

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Digital Workflow e-book updated for Lightroom 3 and Photoshop CS5

I am happy to announce that the new version of my digital workflow e-book, Adobe Photoshop Lightroom: A Professional Photographer’s Workflow has been updated for Lightroom 3 and Photoshop CS5 and is now available on my website. I have been working on this new version of the e-book for a few months now and have done extensive research to expand and greatly improve this new, updated and completely re-written version of the book. I can honestly say that I have not seen any other book on the market today that includes as much detailed and comprehensive information as this e-book does on digital workflow.

I have added brand new information on the following topics:

*Advanced Color Management – NEW
*Advanced Monitor Calibration – NEW
Monitor Recommendations – NEW
Ink Jet Printer Recommendations – NEW
Print Proofing – NEW
An in-depth discussion of the DNG file format – NEW
Shooting Tethered – NEW
In-depth examination of the new Noise Reduction sliders – NEW
Explanation of new Lens Correction controls – NEW
** Photoshop Workflow – NEW & EXPANDED
CMYK Conversions – NEW
Alternate Workflow for Wedding and Portrait Photographers – NEW
Alternate Workflow for Photojournalists – NEW
* The Color Management chapter has been massively expanded and now includes advanced Color Management tips as well as a detailed discussion on Advanced Monitor Calibration including recommendations on Monitors and monitors calibration devices.
** The Photoshop workflow has been greatly expanded and now includes details on my exact Photoshop workflow.

But above and beyond this new information I have gone through and added information to almost every section of the book, expanding the page count to 353 pages. Don’t fear the page count as it is was also expanded because of the new and much easier to read layout. In particular, I have dug deep and included some very detailed insight in the Color Management chapter including recommended monitors, monitor calibration devices and inkjet printers. That chapter alone is worth purchasing the new version of the e-book.

Below are a few sample double-page spreads from the new book. As you can see the lay out has been massively improved and the text has been optimized for reading the book on an iPad, iPhone or a laptop monitor.

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